Issue # 124: Frost Mountain Picnic Massacre

frost mt picnic0001Our new issue, “Frost Mountain Picnic Massacre,” was pulled from the slush pile by our associate managing editor, the intrepid Pei-Ling Lue. Pei-Ling became ”Frost Mountain’s”  issue editor, shepherding it through the entire publication process, and so I’m turning the reins over to her to introduce you all to a great new writer: Seth Fried. —HT

I first encountered Seth Fried’s work from the slush pile, but by the time I replied to him about that particular story, it had already been accepted by another magazine. I thought that he had a unique voice which is funny and creepy and yet sympathetic—a true One Story voice.

When I first read “Frost Mountain Picnic Massacre,”I knew that it was the sort of story that would appeal to our readers. It’s about a community of people who are drawn to the mysterious Frost Mountain Picnic. Although a massacre occurs every year, the community feels compelled to attend for the sake of their children. As I read this, I found myself laughing at some of the ridiculous way people die, but there was a very human element in the way the townspeople are led by their desire to give their children every advantage, a trait that clouds their judgment, something that happens in our own lives.

When I shared this story with our One Story interns, each one of them approached me individually to talk about how much they liked the story. I know that this is one issue that will get passed around and discussed.

If you live on the Upper West Side of New York City and want to receive a free copy of “Frost Mountain Picnic Massacre,” my dad will be including an issue with every dining and take-out order at his restaurant Obento Delight as a gift to his customers for the first few weeks in September. Obento Delight is located at 210 W. 94th street.

Go here to read Seth’s Q&A with us and find out more about “Frost Mountain Picnic Massacre.”—Pei-Ling Lue

One Story in Best American Fantasy 3

Best American Fantasy 3

One Story author Ramona Ausubel’s “Safe Passage” (issue 106) will be included in Best American Fantasy 3: Real Unreal.

Ramona’s story is in good company in the anthology, which is guest edited by Kevin Brockmeier and features a story by Stephen King, as well as stories originally published in Tin House, Kenyon Review and American Short Fiction. The book will be available from Underland Press in January 2010.

The series also announced some exciting updates for BAF’s to come–including Junot Diaz serving as guest editor for an upcoming volume. Starting with BAF4, the series will consider stories published in English in Latin American publications, as well as translations of Latin American writers into English in North American publications. They eventually hope to consider material published in Spanish and Portuguese. Go here for more information about the series, and the  BAF3 table of contents & recommended reading.

Would you date this person?

Man reading

At a recent One Story gathering (i.e. a bar), the conversation, as it so often does, turned to dating and books. One of us had recently broken things off with a guy who had mentioned his favorite book of all time was Tuesdays with Morrie (not the primary reason, of course). It sounds shallow out of context. But it’s an interesting question. In New York, there’s certainly no shortage of people who enjoy reading but just how important is it what your potential partner reads? We got to talking and realized that there are plenty of “dealbreaker” books but not so many “dealmakers.” For dealmakers, Italo Calvino was named and Jerzy Kosinski’s Being There and ladies like Joan Didion and Lorrie Moore. We could all agree that familiarity with short stories was a turn-on.

There is one Brooklyn bookstore hoping to bring literate lovebirds together by matching their literary tastes. Visitors to Word on Franklin Street in Greenpoint can now leave notes on a community bulletin board listing their favorite books and authors, along with contact info for interested parties to get in touch. Though no matches have been made yet, we at One Story think it’s a great idea. In that same spirit, chime in readers, men and women alike. What and who would you put on your own likes/dislikes list? And what would you absolutely not want to hear a first date say they love? And let’s keep things civil. Remember, this is all in good fun.

How to Sell a Short Story

Amazing Stories

Over at the Rumpus, Seth Fischer has kicked off a discussion about the viability of short story collections in these tough economic times. Though it’s well known that these sorts of books have never been an easy sell, it seems the big-house publishers have become even more wary of taking a risk on them, despite the fact that the short story form seems ideally suited to today’s ADD popular culture. So what’s to be done? Fischer’s scenario involves marrying the short story and viral marketing, with publishers posting samples of an author’s collection online and including a link to buy the entire book, along with more inventive methods like creating trailers for their products. I’m skeptical about this latter suggestion but Thomas Pynchon’s publishers have managed to drum up quite a bit of interest, or at least quite a bit of publicity, with the trailer for Inherent Vice. I enjoy it because the narrator (reported to be Pynchon himself) sounds like The Dude but it still strikes me as an odd way to advertise a novel. Plus Pynchon is a well-known enough name that he’ll probably sell alright anyway. I’m not entirely sure it would work for a debut writer, though I would love to be proven wrong.

Regarding the first idea, Amazon has starting offering individual short stories from new collections (such as One Story author Lydia Peelle’s Reasons for and Advantages of Breathing) but for now, this is the sole privilege of Kindle owners. Harper Perennial is doing a promotion via the website 52 Short Stories, which offers a free short story from the back catalog once a week for the entire year. Admittedly most of these are classics (though Lydia is there too) and I have no idea how well it’s generated sales. But it’s definitely an intriguing start and I hope that they continue to offer it into the next year.

So what are your thoughts, One Story readers? Aside from enjoying authors you’ve read in our publication, what would induce you to buy a short story collection by an entirely new voice? Are you open to internet marketing or do you prefer more grassroots efforts? What could make short stories something readers get excited about again? Please share your thoughts in the comments section below.

The Good Thief – Now in Paperback!

GoodThief_banner_REV2First came a rave review from the NYTimes. Then came the John Sargaent Sr. First Novel prize. Then the ALA’s Alex Award. Now editor-in-chief Hannah Tinti’s first novel The Good Thief is available in a sleek new paperback! Janet Maslin called it “darkly transporting” and Entertainment Weekly named Hannah “one of the sharpest, slyest young American novelists.” So if you haven’t yet picked up the book Oprah named a Top 20 Beach Read, there’s still a few good days left in the summer. To buy the book, go here. And be sure to check out Hannah’s spanking new website while you’re at it.

Issue #123: Rocky Point, Mexico

rockypoint

Tanya Rey, our managing editor here at One Story, stepped in as issue editor for #123, “Rocky Point, Mexico,” and so I am turning the introductions over to her capable hands for this wonderful new story. Enjoy! -Hannah Tinti

Many years ago—before email and online social networking—I met my future ex-boyfriend on the phone. I was working as a switchboard operator; he was calling about a bill he’d received. He read me the joke from his Laffy Taffy wrapper and we got to talking. Soon he was calling my toll-free number everyday, we were exchanging letters and our short life stories. By the time we actually met a year later we were nervous and shaky, despite knowing almost everything about each other.

So you can imagine my delight when I first read Caedra Scott-Flaherty’s “Rocky Point, Mexico,” a story about a woman’s initial encounter with the man she’s been dating online. When we (along with the man) first meet the narrator, she is “flesh and bones wrapped in rice paper,” her “kneecaps bobbing up and down in an uncontrollable quiver.” She is frightened and candid, and we know from the onset that we are going to be told a story that goes much deeper than this mere encounter. Not only was I immediately drawn in by the narrative’s unique structure, but I also found comfort in the unflinching honesty and universality related by lines like “Even after so much writing, of trying to squeeze warm flesh from email subject lines, from a quirky lack of punctuation, and one small photo, the things you just can’t know.” The narrator is desperately trying to know something, to absorb enough about one person so that she might meet herself along the way. We slowly learn that she has lost her mother, and that although she is unaware of it, this trip to Mexico is one she must take in order to say goodbye.

At a time when daily exchanges more often involve emoticons than actual displays of emotion, when the shores of our lives are growing closer yet less intimate through email, Facebook and Twitter, it is refreshing to read a story about crossing those barriers into real human experience. For this reason, I thank Caedra for writing “Rocky Point, Mexico,” and I feel confident that she will be telling us stories for years to come.

To read an interview with Caedra Scott-Flaherty about “Rocky Point, Mexico,” click here.