From the Trenches: Audio Books and the Experience of Listening

Each summer, One Story opens our blog to the interns in a section we like to call “From the Trenches”. Our first piece is by Abby Ryder-Huth, on the magic of reading work out loud. Don’t have someone to read to you? Then I’d suggest tuning in to Public Radio’s Selected Shorts to hear great short stories read by top actors of stage and screen. (Full disclosure: I recently joined this show as commentator/sidekick.) Go here to find your time/station or listen to free podcasts. -HT

NPR’s story last weekend about Alice Ozma’s book The Reading Promise caught my attention: every single night for almost nine years, from when she was in fourth grade up till her first day of college, Ozma’s dad read to her. Even on prom night. Taking a break in between hair-styling and corsage-pinning to pause and listen to a story is probably not what most people did before prom; reading aloud and being read to are things that seem to have been mostly written off for people without young children, who are themselves no longer young children. It feels kind of decadent to be read to now. You have to really listen, which at once is very easy and can be done almost anywhere, but also forces you to slow down and focus your attention on just the sounds of the language.

Storytelling too then manages to be a throwback to childhood/the world pre-printed book, while also being a (not so) innovative way for more people to experience more literature. Publishers Weekly recently took a look at the audio book industry (June is apparently Audio Book Month), which you can read about here. There’s an interview with celebrated audio book narrator Scott Brick that got me thinking how reading a story aloud really changes your own experience of it. Prose is usually not judged with the same criteria as poetry, but sound and rhythm can just as easily be crucial to a paragraph of fiction as to a stanza (for a very in-depth look at sonic sentence construction, check out Gary Lutz’s lecture, “The Sentence is a Lonely Place,” as printed in the Believer.) Reading “Tiger” on the train this morning, there were passages I wanted to read to the people around me, if only just to listen to how they sounded.

So if you have any favorite stories to listen to or read aloud, or thoughts on how hearing a story affects your experience of it, let us know—if a party ever gets too tiresome, reading a great story aloud is sure to make up for most of the dull ones.

Issue #150: Tiger

One Story has hit another milestone: our 150th issue. We’re going to save the big celebrations for our 10th anniversary next year, but today seems like a good time to pause and consider the 150 stories, by 150 different writers, that we’ve featured in our pages. When Maribeth and I launched One Story in 2002, our goal was celebrate the form of the short story and support the authors who write them. Now, with over 10,000 subscribers, One Story is more than just a literary magazine—it’s a community of writers and readers that feels like a close-knit family.

It gives me great pleasure to introduce our newest family member: Nalini Jones. In “Tiger,” Nalini explores the complexity of a mother/daughter relationship strained by distance. Set in the lesser-known Catholic community of Bombay, “Tiger” follows Essie’s increasingly desperate efforts to bridge the gap with her daughter Marian, who has married an American and moved to the United States.  In many ways I found this to be a kind of love story, which leads Essie to a greater understanding of her own inner consciousness, but it’s the lushness of Nalini’s writing, and the keen hold on the emotional pulse of her characters that makes me so glad to have “Tiger” as our 150th story. Nalini is the author of the wonderful story collection, What You Call Winter (Knopf, 2007). To find out more about her work, you can visit her website or read her Q&A with us. In the meantime, I hope that you enjoy this new issue of One Story. Here’s to the next 150.

Sam Katz in The Good Men Project

It’s always sad when we say goodbye to one of our interns.  It normally involves sweet chocolate treats and scattered crying (by me).  Last week, we said farewell and good journey to another great intern, Sam Katz.  Thankfully we can keep up with him and his work via the World Wide Web, specifically the website of The Good Men Project.  The Good Men Project is a nonprofit men’s magazine that examines what it means to be a “good man” and gives back through organizations like Street Potential, The Boys and Girls Club of Boston, Big Brothers Big Sisters of Massachusetts Bay.  Now, those are some good men!  Check out Sam’s story “Blue Skies” here.