One Story Issue #263: Shannon Sanders’s “The Everest Society”

Contributing Editor Will Allison procured and worked on our new issue, so here he is to introduce. Take it away, Will!PR

If you’ve ever lived in a high-rise, you’ll appreciate the frustration Liv MacHale and her neighbors feel in “The Everest Society,” by Shannon Sanders. The elevator in their building is out of order—indefinitely—so the residents have to schlep up and down as many as seven flights of stairs every time they go out.

To make matters worse, Liv and her husband, Dante, want to adopt a child, but first they—and their apartment—have to pass muster with a social worker. Liv, in her obsessive preparation for the home visit, fears that the building’s lack of a working elevator (not to mention its dingy stairwell) will reflect poorly on them. Easygoing Dante, on the other hand, doesn’t see what the big deal is.

This is but one of the many ways in which Dante irks Liv: He says weary when he means wary. He fails to notice the hanging produce baskets she lugs home and installs in their kitchen. He gets frisky while she’s fretting over their cracked bedroom ceiling. And when Liv mentions Margaret, the social worker, Dante can’t even place the name.

If Liv and Dante’s relationship sounds prickly, it is—but only sometimes. They actually have a pretty great marriage with lots of give and take, which Sanders renders with uncommon grace, generosity, and humor. The result is one of the most charming fictional marriages I’ve encountered. It’s also one of the most convincing, with all of the messy richness that characterizes real married life. Sanders is a rising literary talent with a gift for writing big-hearted stories, and we are thrilled to present her work in the pages of One Story.

And here’s a timely P.S. from our Managing Editor, Lena Valencia:

I live in a 60-unit apartment building in Brooklyn. My husband and some neighbors recently started a building-wide Facebook group in the hopes of creating a network of support for those who might be more vulnerable to COVID-19. As I was placing flyers outside doors, alerting the residents to the group’s existence, I couldn’t help but think of the way Shannon Sanders so expertly captures the nuances of apartment living  in “The Everest Society,” and how—whether it’s a broken elevator or a global pandemic—neighbors come together to help each other in times of strife and upheaval. It’s a message that felt especially timely at this moment. I hope you enjoy this brilliant story as much as I did, and remember to take care of each other. — Lena

One Story Issue #262: Rachel Lyon’s “You’ll Know When It’s Time”

Right around the time I was accepting the fact that I was going to have to put down my beloved, seventeen-year-old cat, a story called “You’ll Know When It’s Time” came across my desk. Something clicked in my head; this, I thought, is what people say to you when you’re dealing with having to put down your pet. Sure enough, the first line of the story was, “Once the cat died she would move to Delaware.” Excited to be reading a story by Rachel Lyon but unwilling to go there, I pushed the manuscript aside, then buried it under some folders, where it sat while I faced grim reality.

Weeks (months?) later, I finally read the story. To my great relief—which quickly turned into delight—the story was as funny as it was moving. Who would have thought you could both cringe and laugh, reading a story that dealt with such a gruesomely delicate topic? Of course, “You’ll Know When It’s Time” is about much more than a cat and a cat-owner. It’s about marriage, infidelity, parenting, aging, and so many other things. Rachel Lyon is a powerhouse of talent, and our new issue stands as a testament to that. We hope you enjoy Ida and Denny’s last hurrah as much as we did.

Announcing the winners and runners-up of the Teen Writing Contest

We are thrilled to announce the winners and runners-up of our 2020 One Teen Story Teen Writing Contest! We received over 300 entries from teen writers across the globe, and narrowing it down was no easy feat. Each winner will receive $500 and publication in a forthcoming issue of One Teen Story.

Ages 13 – 15

Winner: “Like a Rainbow” by Adysen Straw 

I reached up to pull my bangs out of my eyes and the boy in the mirror did the same. I didn’t want to look away. if I had been a girl, I might’ve said this guy was cute and crush-worthy. It took me a long couple of minutes to realize that this guy was me.”

— Adysen Straw, “Like a Rainbow”

Runner-up: “Saving Yellowstone” by Joe Palsha

Ages 16 – 17

Winner: “Fifty Square Feet Within” by Erika Yip

Mama is a fabric that has been worn and torn and stretched to near nothingness. She works two jobs—a waitress at Yiu Wah Café by day and a cleaning lady at the Hong Kong Museum of History by night—and we never have time to spend together.

—Erika Yip, “Fifty Square Feet Within”

Runner-up: “Containment” by Lukas Bacho

Ages 18 – 19

Winner: “The Squatchers” by Gabriel Krawec

Every weekend my dad and a small army who called themselves the SRA (Sasquatch Research Association) would drive into the woods to track down Bigfoot, set traps, and kill him. I remember the therapist said everyone deals with grief differently, that I should go too, so that I could ‘support’ him.

— Gabriel Krawec, “The Squatchers”

Runner-Up: “The Next Step” by Felix Foote

Subscribe to One Story or One Teen Story in print or on your mobile device to read the winners’ stories throughout the year. Our next Teen Writing Contest will take place in fall 2020. 

Support our mission to publish great teen fiction writers by donating or becoming a supporting member

Congratulations to the winners and runners-up!

Save the Date: Our Literary Debutante Ball is on April 30th!

Our annual Literary Debutante Ball celebrates One Story authors who are publishing their first books.

This year, we’re also honoring a past One Story author who has gone on to make a significant contribution to literature and the literary community. The 2020 Distinguished Alum is Celeste Ng, who published with One Story in 2007.

Celeste Ng by Kevin Day Photography

Celeste Ng is the author of two novels, Everything I Never Told You and Little Fires Everywhere.

Her first novel, Everything I Never Told You (2014), was a New York Times bestseller, a New York Times Notable Book of 2014, Amazon’s #1 Best Book of 2014, and named a best book of the year by over a dozen publications. Everything I Never Told You was also the winner of the Massachusetts Book Award, the Asian/Pacific American Award for Literature, the ALA’s Alex Award, and the Medici Book Club Prize, and was a finalist for numerous awards, including the Ohioana Award and the VCU Cabell First Novelist Award. It has been translated into over thirty languages.

Celeste’s second novel, Little Fires Everywhere, was published by Penguin Press in September 2017, and is a New York Times bestseller, Amazon’s #2 best book and Best Fiction book of 2017, and was named a best book of the year by over 25 publications. It was also the winner of the Ohioana Award and the Goodreads Readers Choice Award 2017 in Fiction, and has been published abroad in more than 30 languages.

Celeste grew up in Pittsburgh, Pennsylvania, and Shaker Heights, Ohio. She graduated from Harvard University and earned an MFA from the University of Michigan (now the Helen Zell Writers’ Program at the University of Michigan), where she won the Hopwood Award.  Her fiction and essays have appeared in the New York Times, One Story, The Guardian, TriQuarterly, and elsewhere, and she is a recipient of the Pushcart Prize and a fellowship from the National Endowment for the Arts.

We are also thrilled to present our 2020 Debutantes:

From Left to Right: Chuck Augello, Ayşe Papatya Bucak, & Christina Hammonds Reed

Join us as we toast these three One Story authors who have published their first books in the past year and honor Celeste Ng! The One Story Literary Debutante Ball will take place on Thursday, April 30th at Roulette in Brooklyn, NY.  We’ll have live music, dancing, hors d’oeuvres, and specialty cocktails. It is our most important fundraising event of the year. Tickets will go on sale Tuesday, February 18th.

Ayşe Papatya Bucak photo credit: Daniel Lateulade

One Story Issue #261: Josh Riedel’s “Midnight Sessions”

Our new issue — as disturbing as it is fun, and funny — was commandeered and edited by contributing editor Will Allison, so the enviable task of introducing it goes to him. Take it away, Will! — PR

I was aware that Josh Riedel had worked at Silicon Valley startups in a former life, so I wasn’t surprised to find that “Midnight Sessions” (One Story issue #261) dishes up a zesty critique of corporate technology run amok. I was, however, surprised and wholly captivated by the fantastical world that blooms within the story’s pages.

Set in the not-too-distant future, “Midnight Sessions” takes place on the vast campus of a mega-corporation called Cleo Corp, which produces, among other things, cheap cosmetics known to cause strange side effects, such as the stars that sparkle and swirl beneath Moot Mangorski’s skin after he uses—and becomes addicted to—Midnight Sessions cologne. But when Moot sues, the company’s crafty CEO, Mr. Sackamoray, convinces Moot to come work for Cleo Corp, where his perks include a free condo and a lifetime supply of the now-banned cologne.

Moot’s job is to “cure” others who suffer side effects from Cleo Corp products. These “subjects” are paid to spend three nights in a suite on campus, where sophisticated instruments collect samples from their bodies and analyze them to find a cure. (Of course the samples are secretly used for R&D purposes.) Moot has mixed feelings about his job, and he feels even more conflicted after meeting Flux, a subject whose use of Forest Fresh—a budget toothpaste—causes his teeth to sprout green, moldy fuzz. As Flux’s side effects intensify, a complicated relationship develops between the two men, and it becomes unclear if Moot will succeed in saving Flux, or vice versa.

I won’t give away more of the plot, but it’s a wild ride, and I promise the final scene is one you won’t soon forget. We’re very excited to be presenting Josh’s work here at the start of his career, and we hope you find “Midnight Sessions” to be as much a feast for the imagination as we did.

Announcing the 2020
Adina Talve-Goodman Fellow:
Arvin Ramgoolam

photo credit: Nathan Bilow

Together with the Talve-Goodman family, One Story is pleased to announce our 2020 Adina Talve-Goodman Fellow: Arvin Ramgoolam.

For 16 years, Arvin Ramgoolam has lived in the heart of the Rocky Mountains in the small town of Crested Butte, Colorado and owns Townie Books with his wife, Danica. An immigrant, he was born in Trinidad and Tobago and raised in Miami Beach, Florida. His writing explores themes of otherness, the outdoors, immigrants, and pop culture, subjects that are innately central to his very existence.

He is currently working on a collection of short stories revolving around these issues. He is also at work on a novel about people from different backgrounds moving across land and time towards the western US, culminating during election night 2016.  He is the father of twin four year old girls, Anya and Sahira, and the owner of Wylie the Wonder Dog, the best mountain dog ever.

The finalists for the 2020 Adina Talve-Goodman fellowship were:

  • Jackson Ingram
  • Wynter Miller
  • Lolita Miranda
  • Olakunle Ologunro

The Adina Talve-Goodman Fellowship was created in memory of One Story’s former managing editor, the writer Adina Talve-Goodman. This fellowship offers a year-long mentorship on the craft of fiction writing with One Story magazine, and is given to an emerging writer whose work speaks to issues and experiences related to inhabiting bodies of difference. This means writing that explores being in a body marked by difference, oppression, violence, or exclusion; often through categories of race, ethnicity, gender, sexuality, class, religion, illness, disability, trauma, migration, displacement, dispossession, or imprisonment. The previous winner of the Adina Talve-Goodman fellowship was Nay Saysourinho.

One Story is grateful to the Talve-Goodman Family, all of the friends and organizations who helped spread the word about this fellowship, and the many talented writers who took the leap and shared their work with us. Applications for our 2021 Fellowship will open in September 2020.

Photo Credit: Nathan Bilow

One Story Issue #260: Maria Lioutaia’s “Sand People”

I was on a sabbatical when ONE STORY co-founder (and all-around brilliant person) Hannah Tinti stepped in to guest-edit our new issue, so I’m turning the introduction mic over to her. Heeeeeere’s Hannah! –PR

Living by the sea is one thing in spring and summer and something else entirely after winter sets in. The beaches are deserted, the sky turns gray and the cold wind seeps deep inside your bones. But there is a magic to winter beaches–the open emptiness, the twisted driftwood and monstrous carcasses of boats and creatures that wash onto the shore. It casts a spell, just like the kind Maria Lioutaia does in her wildly creative short story, “Sand People.”

Set on an isolated peninsula for lost souls, “Sand People” begins with the depositing of an orphan boy into the home of his aunts, a set of conjoined twins. These witchy aunts make him skirts of seagull feathers and teach him how to weave nightmare catchers but also warn him to stay away from the Sand People–the human-shaped holes that glide up and down their shoreline. These sand shadows are captivating and ultimately heartbreaking, just as the affections and jealousies that rise in this three-legged, broken family. “Sand People” is about aloneness and togetherness. About the sucking pulls of despair and the saving ties of connection.

I hope you’ll read our author Q&A, where we discuss the inspiration behind “Sand People,” and how to find balance with the strange and the surreal. It’s exciting to see the leaps of fierce imagination on the page, and a thrill to wade into these winter waters with Maria Lioutaia. You never know what will be conjured next.

OTS Issue #61: Kara Molnar’s “Free”

Spencer is a talented young man with dreams of being a great ballet star—only, a knee injury is thwarting his ambitions. Madeleine is a talented young woman who longs to be a concert violinist but suffers from a lack of confidence. Their first connection—from afar—comes through mutual admiration. But something much more powerful than fandom is at play here.

Kara Molnar’s “Free,” one of the winners of this year’s Teen Writing Contest, is about the expansive power of art to inspire across disciplines and barrel through challenges both physical and psychological. It’s also a wonderful reminder that passion is infectious. We hope you enjoy Kara’s short story as much as we did.

To read an interview with the author, please visit our website.

One Story Issue #259: Aamina Ahmad’s “The Red One Who Rocks”

Our new issue was discovered by our very own Lena Valencia, and I had the pleasure of co-editing it with her. Here’s Lena to introduce the story to you! — PR

One of the disorienting things about grief is that though your own world may feel shattered, the outside world doesn’t grieve with you. This is something Aamina Ahmad set out to capture in our newest issue, “The Red One Who Rocks.”

In it, Humair, a widower, accompanies his mother-in-law on a pilgrimage to the Urs in Sehwan, Pakistan, a commemoration of the Sufi saint Lal Shahbaz Qalandar’s death and union with the divine. To complicate things, Humair is in some ways responsible for his wife’s death. As the festivities unfurl around them, Humair reckons with grief, guilt, and a strange young beggar woman who seems to be following him and his mother-in-law.

Ahmad’s story is one that I’ll always remember reading for the first time. I found it in a stack of submissions on a slow July afternoon and was instantly transported into the thick atmosphere of the train to Sehwan, the hectic celebration of the Urs. It’s a story that wrestles with complex ideas about grief and spirituality, about guilt and recompense. One Story is thrilled to bring you “The Red One Who Rocks.”

To read an interview with author, please visit our website.

OTS#60: Juliet Cushing’s “Cicatriz”

When I was in high school, a friend of mine named James suddenly passed away. I remember feeling torn, angry, bewildered. And as I processed my grief, I began looking back in a way I never had before. It was more than just not having any future moments with James to look forward to; it was the (very new to me, then) phenomenon of having death illuminate life in a way that only death can. For the first time, I became aware of the value—the treasure trove—of the past. I looked back with purpose, one could almost say with a mission: my memories of James—memories that stretched back to junior high and went up to the day before he died—were James. Wrapping my head around that was a big (and uninvited) nudge toward adulthood.

Our new issue of One Teen Story wanders into similar territory. It’s called “Cicatriz” and is written by a wonderful emerging writer named Juliet Cushing. I won’t go into detail about it because I think it speaks beautifully for itself, but I will say that it takes a painful situation and illuminates it in a way that radiates off the page. The writing turns tragedy into art. “Cicatriz” is one of the winners of this year’s Teen Writing Contest. We’re proud to be presenting it to you.

To read an interview with the author, please visit our website.