Our new issue was acquired and edited by contributing editor Will Allison, so I’m handing over the intro mic so that he can make the introductions. Take it away, Will! — PR
’Pemi Aguda’s “Breastmilk” takes place in Lagos, the most populous city in Nigeria and the third largest city in Africa. As soon as Aduke’s husband, Timi, returns home from a business trip to the capital city Abuja, he confesses to committing adultery with his ex-girlfriend. But Timi is otherwise a good man—a rare Nigerian husband who eschews sexist gender roles—and Aduke promptly pardons him. They have passionate forgiveness sex, and thirty-eight weeks later, their first child, Fikayo, is born.
That’s where the trouble begins. Aduke finds herself unable to produce breastmilk, and she comes to believe the problem stems from her unresolved regret about letting Timi off the hook so easily. On top of that, Aduke fears she has betrayed the feminist values she inherited from her proud, activist mother. “Women suffer enough,” her mother says. “Don’t add man problem on top. Keep your shoes beside the door.”
I was drawn to “Breastmilk” by the raw honesty of Aduke’s voice and by the story’s vivid rendering of the early days of parenthood. Aduke’s fear is one that all parents will recognize—the fear of failing one’s newborn child. But for Aduke, that fear is compounded by her body’s refusal to comply with the demands of motherhood. It’s a fraught, heart-wrenching situation that Ms. Aguda explores with tremendous depth of feeling in pitch-perfect prose. We’re excited to be showcasing Ms. Aguda’s work in our pages, and we hope you find Aduke’s story as compelling as we did.
To read an interview with ‘Pemi Aguda about “Breastmilk,” please visit our website.