At One Story, we believe that being a part of the literary community should include helping others. In that vein, each year at our Literary Debutante Ball we honor one established author with a “Mentor of the Year” award for their extraordinary support of fellow writers. This year, our Mentor of the Year is Lan Samantha Chang.
Mentoring is the kind of work that happens behind the scenes, but is vital to keep the literary world alive and kicking. It comes in all forms—from teaching, to blurbs, to recommendation letters, to late-night reads, agent advice, one-on-one conferences, career guidance and inspiration. Behind each book on the shelf is an unseen mentor, giving an author the help they need to make their work better, to keep writing when they are ready to quit, and eventually give them a boost over the publishing wall.
Lan Samantha Chang exemplifies this kind of gallant hard work, and we’ll be honoring her, along with our Literary Debutantes this Friday May 12th at the One Story Literary Debutante Ball at Roulette in Brooklyn.
In today’s post, Sam kindly took time from her busy schedule to talk with One Story about writing and teaching, the importance of being a mentor, and what she’s looking forward to the most at the big party this coming Friday.
- You’ve been a great supporter of emerging writers. But who were your mentors and how did they help you along the way?
I was fortunate to work with extraordinary teachers when I was starting out. At the Iowa Writers’ Workshop, I studied with James Alan McPherson, Frank Conroy, and Marilynne Robinson—all famous to the world for their writing and, to their students, for their presence in the classroom. Each of them made at least one remark about my work that I will remember forever. But the special person who has read my work the most, and whom I turn to when I want to shed a tear, is the wonderful novelist Margot Livesey, who was a visiting professor at the Workshop at that time and is now on the permanent faculty there.
After the Workshop, I had the very good fortune to receive Wallace Stegner and Truman Capote Fellowships at Stanford University, where I studied with John L’Heureux, Nancy Packer, and Elizabeth Tallent. They were all very generous with me, and Elizabeth, who is still at the program, remains vibrantly in my mind as a writing professor who somehow, by her presence, taught me the possibilities of life. Eavan Boland, as well, gave me unforgettable guidance about what it means to be a writer in the world.
- Any words of advice for our nine Debutantes as they start their literary careers?
My one bit of advice is to keep hold of that part of you that first compelled you to start writing through the vicissitudes of “career.” A writing life and a writing career are two separate things, and it’s especially crucial to keep the first.
- For the past twelve years, you’ve been the director of the Iowa Writing Program. How do you find a balance between teaching and writing?
Since taking on the directorship I have published one novel, All Is Forgotten, Nothing Is Lost. Frankly, I lost the balance for a few years there, but I am regaining it now. I’m not sure how writing has come back to me, but I’m very grateful. I don’t know if I have any advice about keeping balanced. It’s a challenge and being a parent on top of it is perhaps more challenging. I’m lucky that my partner is a wonderful, deeply understanding father and husband.
- Your work has appeared twice in Best American Short Stories. Can you talk a bit about what you think makes for a great piece of short fiction?
People try to find rules for short story writing, and there are none. Greatness is indescribable—you know it when you see it. But I do think that a great short story is both ruthless and complete. I also think that a great short story clearly belongs to only one author.
- What are you looking forward to the most about the One Story Literary Debutante Ball on May 12th?
Discounting a couple of award ceremonies, the One Story Literary Debutante Ball will be the first bona fide New York Literary gala event I’ve flown East to attend for since I moved to Iowa. So there’s something exciting about looking forward to the experience. I anticipate with great excitement the “coming out” of the debut writers. I’m also looking forward to seeing former students and colleagues. I’m thrilled that Angela Flournoy will be there, and I can’t wait to see Michelle Huneven and Emily Ruskovich.