As you may know, at the beginning of this year One Teen Story became a quarterly magazine focused solely on the writing of teens. Along with how wonderful it is to work with young, emerging writers, I’m excited that we’ll now be putting their stories into the hands of over 10,000 readers (which is a huge circulation increase from what OTS was able to boast of in the past). To start us off on this new venture, we present you with “Guts,” a story written by Gnesis Villar. “Guts” is several things at once: it’s a story about courage and self-respect, it’s an endearing portrait of a friendship between two teenaged girls, and it’s a chilling tale of a dangerous world that looks a lot like ours. Read what Gnesis has to say about how the story came about in our Q&A. She’s a remarkable talent. I feel certain we’ll be reading more of her work, and I envy readers who get to experience “Guts” for the first time.
We at One Story aren’t in the habit of publishing stories that directly relate to current events—not because that’s our policy, but because such stories usually take a long time to dream up, percolate, and write. When Tomiko Breland’s “What Is Behind” came to us, we were captivated by the writing, first and foremost, and we were blown away by its immediate grasp of an ongoing, tragic, and very widespread current event: the plight of the Syrian refugees. The story follows nine people, inviting the reader into each of their heads as they emerge from hiding and make a run for safety. It’s a remarkable piece of political fiction—in no small part because its emotional impact is not just the result of the subject matter, but of the way it’s rendered. To read more about how the story came into existence, take a look at our Q&A with Tomiko Breland, where she reveals why the form she wrote in was the only one that allowed her to do justice to her characters.
When I was growing up in Florida, we would have tornados now and then. They were long and skinny, or fat and stubby, descending out of storm clouds to crack like a whip over our town, or poking down like the nose of a dog nudging a sand castle. The scariest thing about them—even scarier than their unpredictability—was their strength.
I was reminded of those tornados when I first read Mike Alberti’s “Prairie Fire, 1899.” There are no tornados in this story, but, as the title suggests, there is a fire. A wide, merciless fire. And, as we all know, fires are merciless not because they don’t want to show mercy; they’re merciless because they’re single-minded. They only want one thing: to burn.
The new issue of One Story is about the meeting of that fire and a mining community on the American frontier at the turn of the century. It has a classic, almost formal voice, and a narrator that moves from person to person with the ease of a spark carried on a breeze. In our Q&A, Mike Alberti describes it as “a sort of fable about the West.” It’s a remarkable, large-hearted short story with great staying power. We hope you enjoy it as much as we did.
One Story is thrilled to announce our 2017 Mentor of the Year: Lan Samantha Chang.
At One Story, we believe that being a part of the literary community should include helping others. In that vein, each year at our Literary Debutante Ball we honor one established author with a “Mentor of the Year” award for their extraordinary support of fellow writers. Past honorees have included Ann Patchett, Dani Shapiro, Cornelius Eady, Toi Derricotte, and Jim Shepard.
Mentoring is the kind of work that happens behind the scenes but is vital to keep the literary world alive and kicking. It comes in all forms—from teaching, to blurbs, to recommendation letters, to late-night reads, agent advice, one-on-one conferences, career guidance and inspiration. Behind each book on the shelf is an unseen mentor, giving an author the help they need to make their work better, to keep writing when they are ready to quit, and to give them a boost over the publishing wall.
Lan Samantha Chang exemplifies this kind of gallant hard work, and we’ll be honoring her, along with our Literary Debutantes, on May 12th, 2017 at the One Story Literary Debutante Ball at Roulette in Brooklyn. Sponsorship level tickets are available now. General Admission tickets will go on sale on March 20th.
Lan Samantha Chang, director of the Iowa Writers’ Workshop, is the author of a collection of short fiction, Hunger, and two novels, Inheritance and All Is Forgotten, Nothing Is Lost. Her work has been translated into nine languages and has been chosen twice for The Best American Short Stories. She has received creative writing fellowships from Stanford University, Princeton University, the Radcliffe Institute for Advanced Study, the Guggenheim Foundation, and the National Endowment for the Arts.
When “An Oral History of the Next Battle of the Sexes,” by Lucas Schaefer, showed up at the office and I gave it an initial read, I spent the first few pages having to remind myself that I was reading a work of fiction and not an actual oral history. Once I wrapped my head around that, I became drawn in by one of the biggest casts of characters I’ve ever encountered in a short story—each voice distinctive, each character a building block in the recreation of a historic (fictitious) event: the legendary 1974 battle between Holly Hendrix and Terry Tucker. The story is as compelling as it is funny, as infused with personality as it is charged with spot-on observations about the way we regard gender, power, and ambition. We’re delighted to be ushering it into the world, and we’re even more delighted that this is the first publication by a talent we are most certainly going to be hearing more from in the future: Lucas Schaefer.
To learn more about why Lucas chose to write a fictional oral history instead of a more traditional short story—and to hear what he has to say about the joys and challenges of that form—check out our online Q&A with the author. We make it standard practice to conclude our Q&As by asking authors to share the best piece of writing advice they’ve ever received. Lucas’s answer is both a charmer and heartbreaker!
- Sam Allingham, The Great American Songbook (A Strange Object), author of “Bar Joke, Arizona”
- Angelica Baker, Our Little Racket (Ecco), author of “The Feather Trick”
- Clare Beams, We Show What We Have Learned (Lookout Books), author of “World’s End”
- Julie Buntin, Marlena (Henry Holt), author of “Phenomenon”
- Anne Corbitt, Rules for Lying (Southeast Missouri State University Press), author of “The Tornado Bandit”
- Gabrielle Lucille Fuentes, The Sleeping World (Touchstone), author of “The Elephant’s Foot”
- Lisa Ko, The Leavers (Algonquin Books), author of “Proper Girls”
- Emily Ruskovich, Idaho (Random House), author of “Owl”
- Melissa Yancy, Dog Years (University of Pittsburgh Press), author of “Alas My Love, You Do Me Wrong”
SAVE THE DATE and raise a glass as we toast these nine One Story authors who have published their first books in the past year! The One Story Literary Debutante Ball will take place on Friday, May 12th at Roulette in Brooklyn, NY. We’ll have live music, dancing, hors d’oeuvres, and specialty cocktails. It is our most important fundraising event of the year.
General Admission Tickets will be on sale March 20th. To discuss sponsorship opportunities for the One Story Literary Debutante Ball please contact: firstname.lastname@example.org.
I have been a fan of Ann Patchett’s writing since I first read The Magician’s Assistant. Along with her legions of fans, I have awaited each new book of hers with great joy and expectation, and it gives me ENORMOUS pleasure to have the chance to run a piece of fiction by Ann in our pages. This heartwarming tale of a mother and daughter re-connecting at a Zen Retreat moved me to tears. I know that you will all enjoy it, and I hope that you will also read Ann’s new book, Commonwealth. Contributing Editor Patrick Ryan brought this lovely tale to our shores, so I am turning the official introduction reins into his talented and capable hands. Be sure to check out our Q&A with Ann, where she talks about meditation, acceptance, and how to dial up the volume of pages when she’s writing.-HT
“Switzerland” is a story about a mother visiting a daughter who’s gone off to live at a Zen Study Center halfway around the world. It’s about a retiree diving deep into meditation for the first time in her life. And it’s about a parent reaching for her children long after both life and death have stepped in the way.
Whenever I read Ann Patchett, I discover something new about what great writing can do. More importantly, I discover something new about living. Joy, grief, regret, forgiveness, a grappling with the past and a hesitant embrace of the present—they’re all here.
We’re thrilled to be presenting you with this new story by Ann Patchett. Take a deep breath, clear your thoughts, and open your mind to the beauty of “Switzerland.”
“You are interesting. Your imagination, your perceptions, your emotions are interesting. What is closest to you is valuable for your art. Believe this.” Those are the words carved into the tombstone of Jerome Stern, one of the greatest writing teachers I ever had. When I read this quote—which I keep over my desk—I can still hear his voice and feel his determination to inspire others.
I never could have written the nine stories in my new book, The Dream Life of Astronauts (or had the courage to revisit and revise them over and over again) if it weren’t for this kind of support from people like Jerome, who not only helped my sentences get stronger on the page but showed me the importance of being a part of community that values reading and writing.
With that in mind, I’m excited to share some of my own encouragement—with YOU—in One Story’s first-ever, online Book Class: Learning from The Dream Life of Astronauts.
A book class is a private, online book club—with perks!—for both readers and writers. Sign up today (or any time between now and August 1st) and I’ll send you a signed, first-edition copy of The Dream Life of Astronauts. In addition to the book, you’ll also gain access to a three-day, interactive class where you’ll get the chance to chat with me directly, as well as fellow readers and writers. We’ll take an intimate look at the evolution of this story collection, I’ll share my ups and downs, and I’ll also give tips that will help you start to assess your own writing, with an eye towards turning that drawer full of manuscripts into your very own book one day.
In addition, the class will feature a special, bonus story of mine called “The Real Ones,” which isn’t included in The Dream Life of Astronauts but features the same setting and atmosphere.
I hope you’ll join me. The class runs from August 4th – 7th. Sign up here, and I look forward to seeing you there!
In our new issue, Joyce Carol Oates’s “The Woman at the Window,” two point of views are woven into a complex story of sex, violence, longing and connection. Contributing Editor Patrick Ryan took this unique piece through its paces, and so I am turning the introduction reins over to his steady and talented hands. I hope you’ll all read Joyce Carol Oates’s fascinating Q&A that tells how this piece began with a painting, and then became a poem, and is now a powerfully unnerving, voice-driven story that will grip you from the first page to the very last sentence.-HT
Paintings with people in them always suggest a narrative. Part of the fun of looking at, say, Vermeer’s “Girl Reading a Letter at an Open Window” is wondering what the story is behind the image. Why does this pregnant woman reading the letter look so sad? Who is the letter from? Is it bad news? Maybe from the unborn child’s father? We can’t help but wonder about the context and start filling in the blanks. But it takes an imagination as colossal as Joyce Carol Oates’s to look at Edward Hopper’s painting, “Eleven A.M.” and create the story you’re about to read.
In the painting, a woman—naked but for a pair of high-heeled shoes—sits in a chair and stairs out through an open window. The woman seems to be waiting for something. The title of the painting tells us only the time of day. As Oates reveals in her interview with One Story, one of her starting points in writing about this woman is that she is forever trapped in her waiting; it is, forever, eleven a.m.
Waiting for what? Waiting for whom?
We’re honored to welcome Joyce Carol Oates into the One Story family, and we’re delighted to present to you “The Woman in the Window.”
I published my first short story twenty-five years ago, and my love for writing and reading them has only gotten stronger over the years. One of the most important things I’ve learned is that honest, constructive feedback from others is an invaluable part of the process. With that in mind, I hope you’ll consider joining me for One Story’s winter workshop.
Regardless of whether you’re working on a second or umpteenth draft of a short story, this workshop will provide you with helpful criticism and set you on a path for revising. You’ll gain a deeper understanding of fiction’s inner-workings, get to offer your own feedback to other writers, and become part of a close-knit literary community.
The workshop will consist of ten students and will meet weekly on Thursday evenings (Jan. 7th-Feb. 4th) from 7pm to 9:30pm at our office in Gowanus, Brooklyn. I hope to see you there!