Meet Jem, an eleven-year-old girl who is leaning forward toward adulthood with all her might. She has, as the author describes it in our Q&A, “an elastic, skipping-ahead brain” that doesn’t necessarily want to focus on the little brother she’s often charged with watching, but would much rather be investigating the bloody incident that has taken place down the street—an incident that’s left one person dead and put another person in jail. (Her brain would also like to be watching Thundercats, but that’s not an option at present.)
Sarah Hall, the author of “Goodnight Nobody,” is one of the most careful writers I know. Her word choices, narrative pacing, and sentence rhythm are the result, I suspect, of a great deal of hard, obsessive work. And yet none of that calls attention to itself. The nuts, bolts, and machinery are all hidden away, and her work is a pleasurable breeze to read. One of the great achievements of this particular story is the fact that its voice is so intimately attached to Jem, it feels as if it’s written in the first-person. I find “Goodnight Nobody” to be an addictive read, and I hope you do too.
If, by chance, you haven’t encountered Sarah Hall’s work before (she now has two story collections and five novels under her belt), I’m all the happier to be introducing you to her. Her new story collection is called Madame Zero. She’s a treasure, and we’re honored to have her in the One Story family.