Our final recap is brought to you by Tony Wei-Ling. Thanks to all of the interns for their stellar work this week! We couldn’t have done the workshop without you. -HT
And so One Story’s Summer Workshop for Writers draws to its grand finale!
In the morning, Will Allison and Patrick Ryan taught their last workshops, giving editorial feedback to each student and answering any lingering questions they might have.
After lunch, our writers sat down for a nuts-and-bolts industry talk from One Story Editor-in-Chief Hannah Tinti, who discussed different ways to get out of the “slush pile”: the giant mess of unsolicited manuscripts that come through the doors of any magazine or literary agency.
Hannah began with simple presentation tips – how to make your submission fit industry standards and be kinder on the reader’s eyes and laptop. (The topic of writing cover letters made everyone anxious, but Hannah calmed us by walking us through a basic template.)
“Don’t overthink it,” she said. “The bio especially. Keep it simple and short. The first read, whether it’s for an agent or a magazine or a press, is almost certainly done by an assistant, an intern, or a volunteer. They are the first hurdle you must get over. So thank them for their time, and be courteous.”
More complicated, but less stressful, was Hannah’s advice on researching and submitting work strategically. “You want to find a place that publishes writing like your own, a magazine that matches your aesthetic. Most places – especially small presses – have a strong point-of-view.” The same went for agents: submit to people who represent writers you admire, authors you’d be comfortable “being in a line-up” with. Hannah didn’t just recommend doing research beforehand, but outlined how to do so, emphasizing the AWP conference and yearly anthologies as the best way to get to know the field.
That evening, everyone gathered one last time at the Can Factory for a (slightly nervous) cocktail hour before our student reading. But the nerves disappeared once each writer took the podium, or rather stage. Who knew introverted writers could be such good performers? Each student took on a different readerly voice and pace as they presented their work, which ranged from whimsical poetry to experimental short fiction to Borgesian existential horror.
Hannah broke up the reading with a brief tribute to her former teacher E. L. Doctorow, a literary giant who passed away this week. Then, to close out the evening, she was joined by instructors Will and Patrick, and together they sang/spoke a group campfire version of “Eye of the Tiger” on Hannah’s ukulele. When dinner arrived (gnocchi with fresh peas and mint, and casarecce with tomato, chard, and anchovies), we refilled our drinks and relaxed for a few final hours with new friends.
Goodbyes were difficult, and lingering. Many promised to meet up again, and to exchange manuscripts over coffee or drinks. It many ways it felt like the last day of camp. Everyone was tired but full of new experiences and new friendships. “This isn’t goodbye for real!” people said as they hugged, “I’ll see you very soon.”
That’s it for the 2015 One Story Writers Workshop. We’ll see you next year!