OTS 56: Erin Snyder’s “Escape from Vienna”

It’s always a pleasure to read submissions for our Teen Writing Contest. And it’s an extra pleasure to be taken to a time and place I’ve never been before. In the case of our new issue of One Teen Story, the time is 1945, and the place is war-torn Vienna. Tobias and Franz are riders in training at the Spanish Riding School of Vienna. An evacuation is underway. Bombs are falling from the sky.

That’s already enough to have me on the edge of my seat. To complicate things further, the only manner of quickly and safely evacuating the horses is by train, and most conductors aren’t willing to pull a train through an air raid to save a bunch of horses.

The ability to create believable tension in a short story is admirable; the ability to sustain it to the end is something to be celebrated. One Teen Story is very proud to be presenting Erin Snyder’s “Escape from Vienna” to the world of readers. You’ll never look at a Lipizzaner stallion the same way again!

OTS 55: Katherine Xiong’s “White Jade”

I was nine when I lost one of my grandparents and fifteen when I lost another. In both cases, I remember every detail about receiving the news: the shock, the tears, the hugs, the consolation. What I don’t remember was thinking that one of my parents had just lost one of their parents. Call it selfishness or shortsightedness, I just couldn’t see my parents as anything but parents, which meant that I couldn’t picture them as someone’s child—someone they’d just found out had passed away.

The narrator of Katherine Xiong’s “White Jade” is wiser and far more generous than I ever was as a child or a young adult. She learns in the opening paragraph of her grandmother’s death and then travels with her mother back to China for the funeral. At every step of the way, she observes and listens to and processes her mother, and she’s able to tap into the complexity of emotions her mother is experiencing. No parent is a parent without having once been a child. No parent can resist measuring themselves against the parents who raised them. Between one generation and the next are layers of hopes, desires, resentments, and regrets. Throw death into the mix, and the emotions become all the more tender—even raw.

“White Jade” is an incredibly sophisticated and accessible portrait of three women bound by more than just blood. For good reason, it’s one of our Teen Writing Contest winners. We’re thrilled to publish it, and we’re thrilled to introduce you to the work of Katherine Xiong.

To read an interview with the author, please visit the stories page of our website.

OTS 54: Micaiah Saldaña’s Dear Jamie, Love Rory

“Dear Jamie, Love Rory” is a story about siblings. But more specifically, it’s a story about love. Jamie is a soldier stationed in Afghanistan. Rory and Nikki are his sisters. They don’t always get along; in fact, one of the few things they have in common is their love for their brother and the fact that they miss him so much. And they’re about to embark on a road trip together.

One Teen Story is excited to be presenting this impressive piece of fiction by Micaiah Saldaña, one of the winners of our Teen Writing Contest. Written as a series of letters Rory writes to Jamie, it is both funny and touching, and it is a testament to patience and personal growth. One of the things I like about “Dear Jamie, Love Rory” is that it’s two stories in one: we get the road trip (and who doesn’t like a good road trip?), and we get an intimate portrait of two sisters on a path toward mending their strained relationship.

As long as the Airstream trailer doesn’t make you claustrophobic and Mittens (a slobbering Mastiff) doesn’t drool on you, you should enjoy this one-sided epistolary.

To read an interview with Micaiah, please visit our website.

Announcing the Winners of our 2018 One Teen Story Teen Writing Contest

We are thrilled to announce the winners and runners-up of our 2018 One Teen Story Teen Writing Contest! We received nearly 400 entries from teen writers across the globe, and narrowing it down was no easy feat. Each winner will receive $500 and publication in a forthcoming issue of One Teen Story.

Ages 13 – 15
Winner: “Dear Jamie, Love Rory” by Micaiah Saldaña

“I hate that I had to sing happy birthday to a blurry figure on a screen that looks like you, but at the same time, with his buzz cut and camouflage…Doesn’t.”

Runner-up: “Imagination” by Arushi Avachat

Ages 16 – 17
Winner: “White Jade” by Katherine Xiong

“It wasn’t until the plane had taken off that my mother began to answer my questions. Yes, she herself had been raised in the States. Yes, her mother had been an immigrant, but had gone straight back to China the moment she’d had the chance. No, my mother had not visited her since.”

Runner-up: “The Shoe Shine Man” by Maisey Campbell Jefferson

Ages 18 – 19
Winner: “Escape from Vienna” by Erin Snyder

“In the deepening twilight of the train car, I wrapped my arms around the weary stallion’s neck and inhaled the comforting scent of warm horseflesh, letting the momentary silence fill me with a peace I hadn’t known in years.”

Winner: “Burning, In You” by Brayden Mekertichian

“Taped on your locker, on a February Thursday, is a transformative note (written on Amy’s monogrammed stationery in her undisguised, loopy scrawl) that says: Parker Martochio is a superficial bimbo. Anger and guilt mounds in your throat. Damn it, it’s high school, you remind yourself when your stomach twists with shame. Superficiality is the foundation of survival.

Runner-Up: “The Goddess in Boat Shoes” by Izzy DeSantis

Subscribe to One Story or One Teen Story in print or on your mobile device to read the winners’ stories.

Congratulations to the winners and runners-up!

ONE STORY AT AWP 2018

In just a few days, the AWP conference will flap its way down to Tampa, bringing thousands of literary magazines, MFA programs, publishers, and writers to the Sunshine State. One Story will be there, too, and we hope that you’ll come visit us at Booth #1513. We’ll be selling discounted subscriptions, recent issues of One Story and One Teen Story, and custom-curated three packs of the magazine. We’ll also be registering people for our newest online class, and offering on-the-spot subscribers a spin on our Wheel of Fabulous Prizes. (How could you resist?) And — just when you thought we couldn’t get any cooler! — we’re co-hosting what promises to be a super fun dance party with Tin House and Kenyon Review on Thursday night:

Wondering which panels & readings to go to? We’ve got some suggestions! Here’s a list of every panel at the conference that will include One Story and One Teen Story authors and One Story editors:

THURSDAY, MARCH 8TH

Time: 9:00am – 10:15am

Location: Room 24, Tampa Convention Center, First Floor

Title: “I’m For Real”: Minority Professors in the Predominately White Classroom.

Panelists: Allison Amend, Adriana Ramirez, Dhipinder Walia, Marisa Matarazzo, Phillip Williams

Description: It’s a familiar and problematic narrative: White teacher goes into the hood to “save” urban students. Beyond this reductive trope there are real issues when there is a race, class, sexual orientation, or privilege divide between educator and students, especially if the educator is the member of a minority or traditionally marginalized group. What are the responsibilities and challenges for minority instructors in representing their own identities as they seek to educate those who are different?

 

Time: 12:00pm – 1:15pm

Location: Room 15, Tampa Convention Center, First Floor

Title: The Historical Women: Reimagining Past Narratives Through the Contemporary Female Perspective.

Panelists: Chanelle Benz, Amelia Gray, Min Jin Lee , Megan Mayhew Bergman, Lidia Yuknavitch

Description: “Women, if the soul of the nation is to be saved, I believe that you must become its soul,” said Coretta Scott King during the Civil Rights Movement of the 1960s. What can we learn from reimagined female historical narratives? What is their timely relevance in the current political climate? This panel will also discuss the craft of shaping a nonfiction tale to a modern day story, and how to create female characters that break barriers and make a history of their own.

 

Time: 12:00pm – 1:15pm

Location: Grand Salon C, Marriott Waterside, Second Floor

Title:  Sound and Fury: Understanding Voice in Fiction.

Panelists: John Fried, Irina Reyn, Emily Mitchell

Description: When it comes to fiction, what is voice? Is it simply characters talking to one another? Or is it related to tone or diction? And how do you teach it? This panel of experienced teachers and writers will consider where voice comes from, as well as how to use voice to play with narration, point of view, and style in your work.

 

Time: 3:00pm – 4:15pm

Location: Grand Salon B, Marriott Waterside, Second Floor

Title: Difficult History: Jewish Fiction in the Alt-Right World

Panelists: Emily Barton, Simone Zelitch, Irina Reyn, Amy Brill, Joanna Hershon

Description: What is Jewish fiction? Who can write it? Until recently, the answer looked much like Philip Roth: white, male, and Eastern European. But recent novels by women have subverted and reimagined Jewish narratives, challenging cultural norms and creating alternative histories with modern resonance. This panel explores what signifies fiction as Jewish, even in a secular story; the role of Jewish stories in unsettling political times; and the complexities of female authorship in patriarchal cultures.

 

Time: 3:00pm – 4:15pm

Location: Room 11, Tampa Convention Center, First Floor

Title: Finding the Understory: What Connects a Collection

Panelists: Mia Alvar , Laura van den Berg, Nina McConigley, Ramona Ausubel, Helen Phillips)

Description: Story collections can gain resonant coherence through the very tissue that connects their individual pieces and yet remain unequivocally collections, resisting novelization, or overt linkages such as recurring characters. What are the risks and rewards of writing a story collection with thematic through-lines? This panel will discuss collections that are unified by thematic currents but squarely resist novelization.

 

Time: 3:00pm – 4:15pm

Location: Florida Salon 4, Marriott Waterside, Second Floor

Title:  Bad Moon Rising: Writing It Weird in the South

Panelists: Alexander Lumans, Tiffany Quay Tyson, Jamie Quatro, Matthew Baker, Jamey Hatley
Description:  The practice of writing it weird in the South runs deep. Be it Flannery O’Connor’s gothic or Barry Hannah’s grotesqueries, the region breeds a Southern Comfort brand of the surreal. In this panel, five established and emerging fiction writers give voice to contemporary iterations of this regional tradition, ranging from steeplechase necromancers to bayou bestiaries. Through readings of their haunting and fantastic visions, these writers present an updated essence of the uncanny American South.

 

Time: 3:00pm – 4:15pm

Location: Room 11, Tampa Convention Center, First Floor

Title:  Finding the Understory: What Connects a Collection

Panelists: Mia Alvar, Laura van den Berg, Nina McConigley, Ramona Ausubel, Helen Phillips

Description:  Story collections can gain resonant coherence through the very tissue that connects their individual pieces and yet remain unequivocally collections, resisting novelization, or overt linkages such as recurring characters. What are the risks and rewards of writing a story collection with thematic through-lines? This panel will discuss collections that are unified by thematic currents but squarely resist novelization.

 

Time: 4:30pm – 5:45pm

Location: Ballroom A, Tampa Convention Center, First Floor

Title: Stranger and Truthier Than Truth: Fiction in the Age of Trump

Panelists: Manuel Gonzales, Helen Phillips, Angela Flournoy, Kelly Link, Marie-Helene Bertino

Description:  There’s an increasing movement to combat the turbulent political climate with nonfiction essays and personally revealing hot takes. However, fantasy worlds can act as society’s mirror just as acutely. Part of resisting can be frivolity and a refusal to eschew whimsy. In a post-fact world, the most equipped soldiers can be those who deal in making it up. Award-winning fiction writers will talk about why the “lie” of fiction matters now, and how fiction can be truthier than truth.

 

FRIDAY, MARCH 9TH

Time: 9:00am – 10am

Location: Grand Salon B, Marriott Waterside, Second Floo

Title:  Past as Present: The Relevance of History in Fiction.

Panelists: Amy Brill, Alexander Chee, Allison Amend, Dolen Perkins-Valdez, Yoojin Grace Wuertz

Description: Historical fiction may conjure an image of a swooning Victorian lady or hardscrabble homesteader, but the contemporary meaning and urgency of novels set in the past is complex and often overlooked. This panel explores how the prism of history enables reflection that’s impossible in contemporary settings; how the subjectivity of interpreting history leads to innovation and discovery; the line between revising history and reimagining lives; and whether history may “belong” to anyone.

 

Time: 9:00am – 10:15am

Location: Florida Salon 1, 2, & 3, Marriott Waterside, Second Floor

Title:  Forthcoming: Debut Novelists on What They Wish They’d Known Before Publication

Panelists: Jessie Chaffee, Lisa Ko, Tiffany Jackson, Rachel Lyon, Patricia Park

Description: You have a book contract—now what? What can you expect and how can you make your book stand out in a noisy, crowded market? Recent debut novelists—of adult and YA, published by large and small houses—share advice on the run-up to publication, from the nuts and bolts of the process to savvy marketing. Topics include: publication timeline; navigating editorial and marketing conversations; websites; blurbs; reviews; independent publicists; creative promotion; book tours; and finding your readers.

 

Time: 10:30am – 11:45am

Location: Grand Salon C, Marriott Waterside, Second Floor

Title: Writing Revolution: Not Why, but How.

Panelists: Gabrielle Lucille Fuentes, Peter Mountford, Nayomi Munaweera

Description: What are the specific challenges of writing about resistance and protest movements? How do we balance ethics, polemics, and aesthetics? How do we portray the labor—emotional and otherwise—of change-makers? When depicting historical movements, what are the obligations to reality and the obligations to the imagination? This panel brings together writers for a craft discussion of how to write fiction about revolution, political violence, and entangled histories.

 

Time: 10:30am – 1:45am

Location: Room 11, Tampa Convention Center, First Floor

Title: The World and the Story: How Plot Maps Fictional Realities.

Panelists: Leah Stewart, Brock Clarke, Jung Yun, Brenda Peynado, Julialicia Case

Description: In fiction, there’s an interdependent relationship between world-building (the map) and narrative construction (the route). This panel will examine how writers employ different types of stories—the romance, the mystery, the quest—in service to different visions of reality. Why does a realist like Chekhov so often use the romance? For what purposes does a fantasy writer use the quest? How can a writer of literary fiction employ the quest or the mystery to investigate character?

 

Time: 12:00pm – 1:15pm

Location: Meeting Room 4, Marriott Waterside, Second Floor

Title:  Beyond 140 Characters and the Canon: The Growth of Undergraduate Creative Writing

Panelists: Laura van den Berg, Anne Valente, Sequoia Nagamatsu, Shane McCrae, Kirstin Valdez Quade

Description: As undergraduate creative writing programs become increasingly popular, many teachers of writing must learn and explore strategies specific to undergraduate instruction that may differ vastly from their graduate school experience. Five professors working exclusively with undergraduates will address conducting workshops, challenges specific to their students and, in turn, their teachers, as well as how to build, maintain, and identify the hallmarks of a dynamic undergraduate program.

 

Time: 1:30pm – 2:45pm

Location: Room 22, Tampa Convention Center, First Floor

Title:  How Short Story Collections Are Born: Demystifying the Process of Publishing Your Debut Collection.

Panelists: Marian Crotty , David James Poissant, Manuel Gonzales, Rion Amilcar Scott, Amina Gautier

Description: From big houses to small presses, from contests to agented submissions, short story writers have several options for publishing first collections. The implications of these choices, however, are seldom clear until the process is complete. This panel will discuss the different paths by which four authors published debut collections, as well as the lessons they learned about editing, publishing, and promoting their books along the way.

 

Time: 1:30pm – 2:45pm

Location: Florida Salon 4, Marriott Waterside, Second Floor

Title:  Failure: The Taboo Element of Craft

Panelists: John McNally, Hannah Tinti, Valerie Laken, Eric Wilson, Sheree Greer

Description: If you think of failure as a necessary part of the creative process, you begin to see it as an essential element of craft, the gateway to writing the thing that does work. Eventually, the connection between writing that succeeds and writing that fails illuminates itself, and you use this to your advantage. The five writers on this panel will address the various ways that they view failure as an inevitable and therefore important part of the process, and how they’ve accommodated for it.

 

Time: 4:30pm – 5:45pm

Location: Florida Salon 1, 2, & 3, Marriott Waterside, Second Floor

Title: Understanding Novel Structure

Panelists: Arna Bontemps Hemenway, Lan Samantha Chang, Peter Ho Davies, Susanna Daniel, Bonnie Jo Campbell

Description: It can be a lodestar, a revelation, a voice in the wilderness, the solution to a riddle. From premise to final revision, structure is at the core of successful fiction. But where, for the author, does it come from? And how does one conceive of, execute, and/or repair a manuscript’s shape? Four writers—including the director of the Iowa Writers’ Workshop, winners of the PEN/Hemingway and PEN/Bingham Awards, and a Man Booker long-listed novelist—discuss the ins and outs of structuring a novel.

 

Time: 4:30pm – 5:45pm

Location: Meeting Room 9 & 10, Marriott Waterside, Third Floor

Title: Women on the Verge: A Reading

Panelists: Rachel Khong, Alice Sola Kim, Katie Kitamura, Claire Vaye Watkins, R.O. Kwon

Description: lady Macbeth, Elena Greco, Miss Havisham—some of the most memorable woman characters in literature have been the angry ones. Nonetheless, writers are often criticized, or overlooked, for bringing to life so-called unrelatable, unlikable woman characters. What are the delights of writing angry women whom some readers might find to be off-putting? What could be potential risks and difficulties? Join five fiction writers as we read from and discuss passages featuring the women we’ve made.

 

SATURDAY, MARCH 10TH

Time: 9:00am – 10:15am

Location: Room 11, Tampa Convention Center, First Floor

Title:  The Shadow of the Mouse: How Florida Fiction Can Escape Theme Park Culture

Panelists: Chris Eder, Regina Sakalarios-Rogers, Jeffrey Newberry, Patrick Ryan, Lynne Barrett

Description: When Americans think of Florida too often they think of theme parks or mobility scooters. Those who write in and about this region hope to be taken seriously when the place they write about isn’t. Five writers of literary fiction consider the inward and outward facing qualities of Florida literature. Specifically, how can fiction writers make Florida feel real when it’s so often associated with make believe? How can they humanize a cartoon state?

 

Time: 10:30 am – 11:45 am

Location: Ballroom D, Tampa Convention Center, First Floor

Title: Writing Bad Ass and Nasty Women.

Panelists: Luanne Smith, Pam Houston, Kim Addonizio, Ann Hood, Bonnie Jo Campbell

Description: We long for empowered women, especially in today’s political climate. Writing such women, though, is not about capturing Wonder Woman on the page. At times, kicking butt, breaking laws, hearts, and balls is necessary for the work, but at other times, the woman simply stands her ground and wants control over her own choices and body. The writers on this panel have given us bad ass women in their writing and sometimes been surprised by the reception. What is bad ass today? No cuffs required.

 

Time: 10:30 am – 11: 45 am

Location: florida Salon 1, 2, & 3, Marriott Waterside, Second Floor

Title:  Only Connect: Building Literary Community Beyond the MFA

Panelists: Julie Buntin, Saeed Jones, Ken Chen, Christine Texeira, Alison Murphy)

Description: Community is often touted as the best reason to get an MFA. But what happens when the program ends, or if an MFA isn’t right for you? Administrators from organizations changing the literary ecosystem discuss the opportunities for connection that exist in nonacademic settings. Topics include writing, publishing, and networking on- and offline; teaching and studying outside of academia; and how writers from every educational background can find and build their own sustaining, creative communities.

 

Time: 12:00pm – 1:15pm

Location: Ballroom C, Tampa Convention Center, First Floor

Title:  The Worst Writing Advice I Ever Got

Panelists: Melissa Stein, Mark Doty, Chris Abani, Ada Limon, Hannah Tinti

Description: Bad advice: it’s all over the place. Five intrepid prose writers and poets dish up counterproductive counsel offered by teachers, by friends and family, by other writers, by naysayers and ambition-squashers and status-quo-preservers everywhere (sometimes even in our own heads). We’ll explore how we develop resilience and courage and confidence and voice as writers and, along the way, may just sneak in a wealth of eminently useful, real-world advice.

 

Time: 1:30pm – 2:45pm

Location: grand Salon A, Marriott Waterside, Second Floor

Title: This Is the Place: Women Writing About Home.

Panelists:Kelly McMasters, Amanda Petrusich, Catina Bacote, Lina Maria Ferreira Cabeza-Vanegas, Leigh Newman

Description: As women coming of age in the modern era, moving out of our parents’ homes and into spaces of our own was exhilarating and terrifying. We looked to the past, to the homes our mothers and grandmothers defined for us, and we looked forward to something new we were going to create. In making homes for ourselves, we have defined ourselves—as partners, mothers, citizens. Readers are select contributors to This Is the Place: 30 Women Writing About Home (Seal Press, November 2017).

 

Time: 1:30pm – 2:45pm

Location: Meeting Room 1, Marriott Waterside, Second Floor

Title: Writ Large: Expansion in the Short Story.

Panelists: Siân Griffiths, Eric Sasson, Caitlin Horrocks , Marie-Helene Bertino , Diane Cook

Description: William Strunk said, “Vigorous writing is concise.” Professors and craft books tend to agree, emphasizing the importance of cutting and concision. However, what’s good for the sentence is not always good for the story. Our panel suggests that sometimes a story benefits from more, not less. We examine ways to know if a story needs another dimension and in those instances, discuss strategies the writer might explore to help their stories find their best length.

 

Time: 1:30pm – 2:45pm

Location: Ballroom C, Tampa Convention Center, First Floor

Title: New Intimacies: A Reading and Conversation with Min Jin Lee and Sigrid Nunez. Sponsored by Kundiman

Panelists: Harold Augenbraum, Min Jin Lee, Sigrid Nunez

Description: Kundiman presents two novelists whose stories bring us into the fraught, shifting lives of family and friends, whose settings span continents and generations, and whose characters show the tenuous nature of identity in diaspora.

 

Time: 1:30 pm – 2:45 pm

Location: Ballroom D, Tampa Convention Center, First Floor

Title:  Monster Cultures

Panelists: Sofia Samatar, Theodora Goss, Kelly Link, Carmen Maria Machado, Nancy Hightower

Description: rom cyborgs to serial killers, monsters work the territory where explosive opposites meet: fear and desire, criminality and victimhood. On this panel, five writers of the fantastic discuss the roles of monsters in their work and areas of interest. How do monsters function in contemporary literature, in environmental writing, in Afrofuturism? What concerns and breakthroughs come with using the monstrous to express marginalized racial and sexual identities? How do we write the ultimate Other?

 

Time: 3:00pm – 4:15pm

Location: Ballroom A, Tampa Convention Center, First Floor

Title:  Write What You Know but Know It All: Research as Catalyst in Fiction

Panelists: Alexander Chee, Jennine Capó Crucet, Patricia Engel, Gabrielle Lucille Fuentes, Xhenet Aliu

Description: One fiction writer constructs an imaginary world and turns to research—historical, scientific, vernacular—for verisimilitude. Another stumbles upon a historical event or character and uses imagination to give it life. Who did it right? Is there such a thing? A panel of novelists who’ve produced a diverse body of fiction, from the seemingly semi-autobiographical to the historical, discuss the ways in which research and imagination work in concert—or conflict—to build a fictional world.

 

Time: 3:00pm – 4:15pm

Location: Meeting Room 1, Marriott Waterside, Second Floor

Title: Crafting the Weird: Techniques of Fabulist Female Fiction

Panelists: Clare Beams, Brenda Peynado, Jamey Bradbury, Celia Johnson, Ramona Ausubel

Description: Surreal, magical, or fabulist fiction has traditionally been employed to attack political systems through subversive means. Yet, women writers have adapted this genre for their own modes of critique. In this event, panelists will discuss how they use elements of the weird to address subjects such as the domestic, the female body, otherness, and LGBTQ identity. Presenters will provide examples, methods, and techniques for crafting subversive fiction that offers new methods of witnessing reality.

 

Time: 4:30pm – 5:45pm

Location: Room 13, Tampa Convention Center, First Floor

Title:  Writing Women’s Interior Lives

Panelists: Julia Phillips, Jessie Chaffee, Leigh Stein, Krys Lee, Mia Alvar

Description: Five years ago, Meg Wolitzer wrote in The New York Times of “that close-quartered lower shelf where books emphasizing relationships and the interior lives of women are often relegated.” The five panelists here, all of whom recently published or will publish books emphasizing those very subjects, discuss their intentions, craft, and relegation (or not) to that lower shelf. What’s changed in the five years since Wolitzer’s essay was printed? What can we expect to change in the five years to come?

 

Time: 4:30pm – 5:45pm

Location: Grand Salon B, Marriott Waterside, Second Floor

Title:  The Suspense Is Killing Me!

Panelists: Michael Kardos, Kelly Magee, Phong Nguyen, Susan Perabo, Christopher Coake

Description: “Suspense” is too often dismissed as a genre, akin to thriller or mystery, when in fact it is an important element of all kinds of fiction, and often central to what makes a story or novel compelling to read. These five panelists will discuss the role of suspense in fiction (theirs and others’) and offer suggestions to generate suspense in a wide range of fiction. “Must-read” recommendations, helpful exercises, and a Q&A will round out the session.

 

We’ll see you all in Tampa! Remember to come by our booth to say hello.

 

via GIPHY

OTS 51: Toby by Lily Boyd

When I was four years old, our dog died. Four is a very resilient age. What can make us wail one minute can be gone from our heads the next. I cried and cried—and then we got a new dog. A puppy we named Missy. She was a small, raggedy mutt who dug through the Easter baskets while we were at church, suffered my brother’s rock band rehearsals, survived a tornado that tore up our house, and evacuated with us when Hurricane David was heading our way.

The summer after I graduated from high school, Missy was fourteen and was starting to show her age. I moved away to college, came home for Thanksgiving three months later, and she was wheezy and lethargic. My parents told me they were taking her to the vet the following Monday for a checkup. I knew I was going to be home again in just a month (for Christmas), but I had a feeling Missy might be on shaky ground. So, right before I caught my ride back to college I got down on the floor next to her, curled around her, and talked to her. I told her a lot of nice things, but mostly I told her that she’d been a really good dog. Then I left. She died the next afternoon.

All of this came flooding back to me as I read “Toby.” If you’ve ever loved and lost a pet, this story will no doubt have the same effect on you. It’s a laser-sharp and emotionally raw piece of writing, both fresh and familiar, and it’s all the more impressive because it was written by a teen. Lily Boyd is one of the winners of One Teen Story’s Teen Writing Contest, and we’re happy to be introducing you to her, and to “Toby.” (To read our Q&A with Lily, go here.)

Announcing the Winners of our 2017 One Teen Story Teen Writing Contest

We are thrilled to announce the winners and runners-up of our 2017 ONE TEEN STORY Teen Writing Contest! We received hundreds of entries from teen writers across the globe, and narrowing it down was no easy feat. Each of our three winners will receive $500 and publication in a forthcoming issue of One Teen Story. Here are the winners and runners-up in each age category:

Ages 13 – 15

Winner: “Toby” by Lily Boyd

“He wanted to run, and I let him, anything for him. He took off down the street and I followed, the leather of the leash pressing into my palm. The wind whipped at my cheeks, the snow swirling around me as my lungs battered for breath.” (excerpt from “Toby”)

Runner-up: “Pretty Close to Perfect” by Jordan Fong

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Ages 16 – 17

Winner: “Bulletin Board Dragon” by Lilly Hunt

“His full name is Maximilien François Marie Isidore de Robespierre—you know, after the dude who overthrew the French monarchy—but I call him Max. He’s the size of a small human, can’t breathe fire, and is horrifically ugly, but I’m okay with that. I share those traits.”  (excerpt from “Bulletin Board Dragon”)

Runner-up: “The Dinner” by Isabel Lickey

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Ages 18 – 19

Winner: “Our New Lives” by Helen Coats

“I pulled out my sketchbook and started drawing Jeremy. He was running toward or away from something, I hadn’t decided which.” (excerpt from “Our New Lives”)

Runner-Up: “The Observations of a Big-Eared Girl” by Rebekah Anne Craggs

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Congratulations to all our participants for writing and submitting such wonderful work. It was a pleasure to read each entry!

Subscribe to One Story or One Teen Story in print or on your mobile device to read the winners’ stories.