It’s a thrill and an honor to publish award-winning author and short story master Ann Beattie in our new issue of One Story. “And Then Someone Came From So Very Far Away” made me hungry for pie (there are many delicious recipes in these pages). But it also made me wonder at Beattie’s skill on the page, exploring the simple events in our lives that can unseat our minds and unearth our secrets. One Story Contributing Editor & OTS Editor in Chief Patrick Ryan brought this marvelous piece to our shores, and so I’m turning the introductions into his extremely capable hands. I hope you all enjoy!-HT
There’s a phenomenon that occurs in an Ann Beattie story that always lets me know I’m reading an Ann Beattie story. The most apt comparison I can think of is that it’s a little like watching a Robert Altman film (when Altman was at the top of his game)—but in Beattie’s stories, instead of the characters all talking for their lives, they’re thinking for their lives. Even when we’re tethered to the thoughts of a single character, there’s a staccato of observations, conclusions, and second-guessing going on—all of it pinballing through outside stimuli.
In the case of “And Then Someone Came From So Very Far Away,” much of the outside stimuli arises from a farmers’ market. If you’ve spent any time at all in a busy farmers’ market and wondered at its bustle not just of commerce but of personalities, you’ll know what an accurate portrait of that environment Beattie has created here. And, more importantly, at the heart of this story is another portrait: Nona and Prue—two sisters in their later years, each trying to help the other out emotionally, and each doing a less than perfect job of it.
No proper introduction of this wonderful story would be complete without mentioning the pies. The pies! You’ll be entranced by the care and inventiveness Nona puts into her baking. You’ll smell the pies as Prue cradles them and boxes them up. And a little part of you—probably nestled in the pit of your stomach—will ache as those pies are bought and carried away by people who aren’t you. Still, “And Then Someone Came From So Very Far Away” doesn’t belong to the pies; it belongs to the sisters, both of whom I fell a little bit in love with.
We’re delighted to be publishing the legendary Ann Beattie. Be sure to read her Q&A with us about how she wrote “And Then Someone Came From So Very Far Away.” This story will both fill you up and leave you wanting more: more Nona, more Prue, more Beattie.
Whenever I’m feeling overwhelmed by life I make a list. Instantly I become calmer, as if by scratching out my ideas, tasks and responsibilities on paper, I’ve won half the battle. Our new issue, Joan’s Wickersham’s “An Inventory,” explores this same inclination for organization. In this charming story, a character (“you”) accounts for all of her romantic partners (even if that romance was one-sided), exploring the forces of attraction as well as the tender reaches of her own heart. Compiled chronologically, these brief anecdotes—with footnotes from the future!—become a marvelous meditation on love, faith and endurance. I was first introduced to Joan Wickersham while reading Best American Short Stories. Years later, working as a bookseller, I was thrilled to discover her wonderful novel The Paper Anniversary (and hand-sold many copies). Since then, I’ve kept track of her career and continued to admire her skillful carvings of emotional truth. Connections like this between a reader and a writer, that cover many years and many books, are why I got into the business of publishing, so it brings me particular joy to present “An Inventory” in our pages. I hope that all of you—our dear readers, writers, supporters and fans—will stop by our website to read Joan’s Q&A, and welcome her into the One Story family.
Our new issue of One Story explores the fire and spark of the imagination, and how that drive to follow our dreams can sometimes lead us away from the ones we love. Contributing editor Karen Friedman has been a champion for “North” and so I am handing the introduction reins to her. I hope you all enjoy this remarkable story as it takes you on a trip in a balloon! Balloon!-HT
Ambition can be a tricky thing. Not enough and you wind up living in your mom’s basement. Too much and, well, you just might be a megalomaniac. How far can you dream and what would you give up to attain that dream? Despite all our technology and prosperity, for most of us, our aspirations can seem small. However, the late nineteenth century was full of men and women whose ambition was intertwined with a sense of entitlement and desire for adventure. Men, like Thomas Hamblen in our latest issue, “North” by Aria Beth Sloss, who pushed the boundaries of what was known by sheer force of will. In the story, Thomas believes he can reach the North Pole by hot air balloon. The idea takes hold and obsesses him, even as it places his sanity and much that he holds dear at risk. But “North” is not merely the story of an adventurer, it is also a love story, and Thomas’s wife, Mary, is fearless in her own right. Through their relationship we parse the distinction between wilderness and what is known, and the cost of un-tempered desire. Every time I read “North,” I’m struck by how much faith Thomas has in science and his own ability to conquer whatever challenges he encounters. Today, when doubt and sometimes a downright hostility toward science seem to be the norm, how glorious Thomas’s sense of possibility feels. I hope you will all love “North” as much as we do at One Story. After you read it, please be sure to check out our Q&A with Aria, and look here if you are interested in seeing some amazing photographs of the expedition that first inspired her.
Let’s talk about sex, baby. Let’s talk about you and me. Let’s talk about all the good things and the bad things that may be. —Salt-N-Pepa
If you grew up in the 90s, this song was probably played at your prom. Unless it was banned, that is—some parents and teachers found it too provocative (hard to believe given today’s celebrity sex tapes, nude selfies and graphic online porn). But at the time “Let’s Talk About Sex” was a fresh and candid take of women owning their libidos; enjoying sex while being smart about it. Salt-N-Pepa’s catchy chorus celebrated the joy of the physical, but each verse took things to a more serious level—discussing STDs and how sex can be incredible but also leave people feeling empty. With this song and others (like “Push It” and “Shoop”) Salt-N-Pepa made it OK for girls to like sex in an explicit way that hadn’t been done before. Rather than turning themselves into sex objects—they turned the tables and pushed the raw power of their sexiness out into the world. Our new story, “Meteorologist Dave Santana” by Diane Cook, takes this idea and runs with it, providing a lot of crazy, hot fun in the sack (NSFW, people)! But sex isn’t the only thing going on with Janet, Diane Cook’s fearless and headstrong heroine. Our story begins with a storm and Janet’s newfound obsession with the weather. Or, more specifically—the weather man, Meteorologist Dave Santana. Her focused and determined pursuit of Dave drives the narrative of this fascinating story, turning a crush into a fling and then a life-changing experience. Like all obsessions, the true story here lies not with the object of Janet’s affections, but why she was drawn to him in the first place—and then—why she can not let the idea of him go. Read our Q&A with Diane Cook to hear the inspiration behind “Meteorologist Dave Santana,” and how this story fits into her highly anticipated collection, Man V. Nature. Then dig through your old Salt-N-Pepa cassette tapes and bust out your best reverse running man. In the immortal words of “Push It”: This dance ain’t for everybody—only the sexy people!
Hurricane Sandy happened almost two years ago, but its effects are still felt across New York City. I’ll never forget the way giant trees were thrown about like tinker toys, and the dread my neighbors and I felt as the Gowanus Canal broke its banks and started flooding sewage into the streets. As sections of the city were destroyed, and others left without power for days and even weeks, from Staten Island to Red Hook we were all shaken. Sandy was a reminder of how mother nature can bring civilization to its knees. That kind of chaos and randomness can be a frightening thing, so when Chuck Augello’s “Cool City,” appeared in our slush pile, I found myself both surprised and charmed by the way Augello took those same feelings of fear and uncertainty and spun them into a story about connection and love. Set during a terrible, Sandy-like storm, “Cool City” follows two young city-dwellers, each trying to cope with the randomness and terror of life. One uses numbers and OCD-like behaviors to make himself feel safe, the other uses “Fast Love”—a unique self-help program where love is broken down to an impulse decision followed by immediate, binding commitment. Be sure to read Chuck Augello’s Q&A with us about how he came up with the concept for “Fast Love”, as well as his decision to use Rainer Maria Rilke’s poems in “Cool City.” I was moved and relieved when reading the final pages of this story, just as I was by the outpouring of volunteers and neighbors coming together in the aftermath of Sandy’s destruction. Like these two characters who fall in love during the chaos and wildness of the storm, when the rain finally stopped we found true comfort in each other.
I’m thrilled to announce our next issue: “Coda” by Whitney Groves. Since Contributing Editor Karen Friedman saw this story through its paces, I’m turning the introducing reins over into her capable hands. I hope you all enjoy this exciting fiction debut from a talented new voice. -HT
A father’s love is supposed to be a transcendent thing, unconditional, reliable and protective, reminiscent of a reasonably priced Subaru. The iconography of fatherhood is used to sell us everything from sodas to appliances. But as we all know, reality rarely emulates the ideal. So what happens when the paternal relationship is nothing more than a loose tether? Our latest issue, “Coda”, by debut author Whitney Groves explores one such father-daughter relationship. The main character, Vera, has spent the majority of her life knowing very little about her father – hazy memories and scraps of information provided by a reluctant mother. The story alternates between Vera’s final encounter with her father and the moments that brought Vera to a reconciliation with the man who abandoned her sixteen years earlier. “Coda” is a quiet story about what remains when a relationship falls short of even modest expectations. As an editor, I am struck by Vera’s measured response to her father. Anger would have been the easy route. Instead, Vera’s journey is one of longing mostly endured. Groves fills that longing with tension and, most surprisingly, humor. By bringing the reader close to Vera, we understand her desire at the most basic human level to be seen and validated by her father, to be loved by a man she has never known. It is an honor to introduce Whitney Groves to all of you in her first published piece of fiction. For more on how Whitney developed this beautiful and heartbreaking story please check out our author Q&A.
The siege of Sarajevo began in April, 1992 and lasted nearly four years, during which the citizens of that war-torn city lived in terror and suffered every possible kind of deprivation. Thousands were starved, raped, killed by snipers or wounded in bomb attacks. Like the mass murders in Srebrenica and death camps like Omarska, the siege of Sarajevo became a symbol of the Bosnian war and dominated the world news cycle. But how did the civilians caught in the crossfire live day to day? How did they continue on when surrounded by so much death? These are just some of the questions that author James Winter takes on in our new issue, “A Very Small Flame.” Written from the point of view of Pasha, a Muslim grocer trying to protect his family, “A Very Small Flame” uses a unique format to tell its story, presenting lists of words and memories to record the facts of history. As a reader I was caught up in the drama of Pasha’s life but also held by his refusal to fall into despair, even when bearing witness to the darkest of atrocities. Read our Q&A with James Winter to find out more about the research that went into “A Very Small Flame,” and how this thriving, cosmopolitan city went from hosting the Olympics in 1984 to being a battlefield just eight years later. It is a history lesson everyone should know, and a story worth telling—how to face such horror with an unflinching eye, and without losing love or faith in humanity.
I’ll never forget the first time I saw Vincent Price’s classic horror film House of Wax on late night TV. In the climactic scene, the young heroine discovers that the museum’s wax figurines are made from real corpses, including her best friend, who has been transformed into Joan of Arc. Trapped between a young Charles Bronson (Igor) and Vincent Price (the museum curator), she beats Vincent Price’s face, which falls apart, revealing a monster hidden behind a wax mask. I was reminded of the movie the first time I picked up our marvelously strange new issue, “Fear Itself” by Katie Coyle. Not only because of the wax museum setting, but because both stories center around identity and false appearances. The teenaged heroines of “Fear Itself”—Kara, Ruthie & Olive—are best friends, but find themselves grating against their assigned categories (the ugly one, the caretaker, the prude). The girls’ internal frustrations bubble to the surface on a class trip to a presidential wax museum, and soon overflow. Jealousy, love, courage and hate all come into play as these three friends search for ways to find new ground, eventually standing together against the forces of darkness (and in this case, also bad boyfriends). Check out our Q&A with Katie Coyle to find out more about the inspiration behind this sharply written, astonishingly bizarre and simply fun short story, then click the video below to see a clip from House of Wax. Despite all of the movie’s campiness and bad-acting, the moment where Vincent Price’s face falls apart still resonates with a creepy magic. What’s really behind the masks our friends and family wear each day? What’s behind our own?
Our new issue, “Claire, the Whole World” is another debut—the first fiction published by Jonathan Durbin. As we prepare for this year’s Literary Debutante Ball, which is all about writers helping other writers, let’s take a moment and raise a glass to this talented first-timer. May this pub be the first of many! And now, I’ll turn the reins over to Contributing Editor Will Allison, who discovered and shepherded this marvelous tale of love and Los Angeles. —HT
How high a price are you willing to pay for fame? Would you spend years underemployed, piling up credit card debt, just to give yourself a tiny shot at an acting career? How would you know when to call it quits? And in the end, what’s more important, your dreams or your happiness? These are the questions Jonathan Durbin takes up in his first published story, “Claire, the Whole World,” which appears in the latest issue of One Story. In swirling, confident prose, Durbin weighs the price of success for two aspiring actors in Los Angeles, where fame is ever present but usually out of reach. The story opens with a TV commercial starring the narrator’s girlfriend, Claire—one of three such commercials that comes to haunt the narrator as he seeks footing in the shifting landscape of their relationship. The story’s landscape shifts as well, from the Mojave Desert to Malibu to the Hollywood Hills, each locale providing new challenges as the narrator and Claire try to reconcile their ambitions with the realities of show business. Featuring a cameo by Meg Ryan (not to mention another, more fearsome inhabitant of Hollywood), “Claire, the Whole World” marks the debut of a compelling voice in American fiction. Be sure to check out our Q&A with the author to find out how this story was influenced by Bill Murray, Kurt Cobain, and a stranger’s disparaging remark about salad.
When it comes to jealousy, Shakespeare probably said it best: “O, beware, my lord, of jealousy; It is the green-ey’d monster, which doth mock the meat it feeds on.” Just like poor tragic Othello, nothing settles into our souls or breaks us apart more completely than doubt, an emotion that takes center stage in the lyrical and gripping new issue of One Story, “Owl.” Set near Bonners Ferry at the turn of the last century, Emily Ruskovich’s “Owl” is a mystery wrapped in a love triangle wrapped in an historical thriller. A husband cares for his wife, shot in a hunting accident by a group of local boys. But lingering in the air is a puzzle he cannot solve—what was she doing in the woods that night? No matter how he tries, he can’t shake his feelings of suspicion, until they lead to a hunt of his own, and a confrontation that reveals a long-held secret. Be sure to read Emily Ruskovich’s Q&A with us, which explores the connection between her story and Peter Pan—as well as how she developed the distinctive voice for this unforgettable narrator. And next time the green-eyed monster starts to haunt you, remember: Iago may have whispered those famous words to Othello, but it was Othello who clung to them and let them eat away at his heart.