The third day of One Story’s summer workshop for writers began with morning sessions of Will Allison’s and Patrick Ryan’s workshops. Halfway through the week, everyone seems to be benefiting from the intensive edits. “People want you to improve,” said one of Will’s students after her story was critiqued. “Nothing was missed. Everyone was super helpful!” Will gave credit to his dutiful students. “Everyone is reading very deeply,” he said.
In Patrick’s room, the two students being workshopped were talking animatedly after everyone else had gone to lunch. “I rewrote the first half of my story in my brain in the time between my workshop and yours,” one of the students said to the other, laughing. “It was like Tetris pieces coming together.” The other student agreed. “I want to go home right now and start redrafting,” she said.
After the writers ate lunch, they sat down for One Story author Seth Fried’s craft lecture, “Getting through the First Draft.” Seth is the author of One Story’s 124th issue, “Frost Mountain Picnic Massacre,” and his speech focused on generating new writing material. He stressed the importance of writing even if you think that what you’re writing isn’t good. “The first draft is always shit,” Seth said, quoting Hemingway. He added that your “inner critic” is bad for generating work, and if you focus too much on what you’re writing, the content will end up being forced instead of fluid.
To get us all started, Seth assigned a writing exercise: write 200 words, right then, without thinking. The workshop participants said that the exercise was freeing, and that it was nice to write in longhand instead of typing. Seth also mentioned three great resources for generating fiction: John Gardner’s On Becoming a Novelist, Ron Carlson’s Ron Carlson Writes a Story, and Annie Dillard’s The Writing Life.
Once the writers had their afternoon break, One Story’s Managing Editor, Adina Talve-Goodman, spoke with three other editors in our nightly panel. The editors were Julie Buntin, author of One Teen Story’s “Phenomenon” and Associate Editor of Catapult; Jonathan Lee, editor of A Public Space; and Lincoln Michel, Online Editor of Electric Literature and coeditor of Gigantic.
All four editors agreed that there was a certain thrill in publishing debut authors, and that mentioning that you’ve never been published doesn’t hurt your cover letter! They also stressed the importance of submitting your work to a magazine that fits. Don’t just send your story to whoever will take it—do some research and send your story to the magazines that will appreciate it the most. Lincoln said that the story was more meaningful if the author was attached to the magazine somehow, and Adina stressed the importance of not giving up. It’s all about getting the right story into the right hands.
We only have one more day of workshop before the final reading on Friday. Stay tuned for an event at Park Slope’s Community Bookstore with another One Story author, Calvin Baker, and Editor-in-Chief Hannah Tinti!