In the summer of 1996, a few months after I finished my MFA at Ohio State, I got the luckiest break of my writing career: I landed an editorial job at Story, the fabled literary magazine that prided itself on discovering great new writers, from J. D. Salinger and Carson McCullers in the 1930s and 1940s to Junot Díaz and our own Hannah Tinti in the 1990s.
I say it was the luckiest break of my career because even though I’d been writing fiction for eight years, editing stories taught me how to write them much better. My job at Story also gave me insight into what I could expect when the day came that I’d be working with an editor myself.
In this latest incarnation of our popular editing course, you’ll get a rare, behind-the-scenes look at the editorial process. You’ll also learn to bring the same sharp editorial eye to your own work that the editors of One Story bring to each issue. Daily online lectures will guide you through a case study of a One Story debut, issue #191, “Claire, the Whole World,” by Jonathan Durbin. You’ll follow the story from first draft to publication—studying actual marked-up manuscripts—as the author and editors work together to make the story the best it can be.
In addition to drafts of “Claire, the Whole World,” the ten-day course (November 13th – 22nd) will include daily online lectures, assignments, and a message board where you can share ideas and manuscripts with other writers who are committed to becoming better editors of their own work. To find out more about this course, go here. Deadline to sign up is November 13th.
I hope you’ll join us!