Our new issue was procured and edited by contributing editor Will Allison, so I’m passing the mic over to him to make the introductions. Heeeerrrrre’s Will! — PR
The first thing that struck me about Anthony Varallo’s “Hey, Me” was the disarmingly honest and funny voice of his protagonist. Amy is a struggling college student whose professor has suggested that she jumpstart her incomplete English paper by recording voice memos. The story takes the unusual form of two such memos, recorded by Amy over the course of a few days as she procrastinates writing her paper and instead ruminates on her feelings about topics such as college life, authenticity, friendship, and toast. (Yes, Amy is a bit digressive.)
But mostly Amy’s feelings are focused on her professor, a new mother Amy yearns to connect with on a deeper level. At first Amy’s obsession with her professor seems quite sweet and innocent, but her monologue takes an unexpected turn when Amy reveals that she has stalked her professor multiple times, secretly following her around campus. I couldn’t help anticipating a dark outcome, but at the same time, I wondered how Mr. Varallo would pull off an ending that remained true to Amy’s character. (He didn’t disappoint.)
During my ten years at One Story, I’ve had the pleasure of editing some unforgettable voice-driven stories. Two that come to mind are Bonnie Jo Campbell’s hard-bitten “Mothers, Tell Your Daughters,” which we published back in 2015, and last year’s luminous “Fate and Ruin,” by Mary Grimm. I’m thrilled to be introducing another story worthy of that group, and I hope you enjoy having Amy bare her soul into your ears as much as I did.