Don Lee’s “Reenactments” takes us to El Paso, Texas, where a Hollywood shoot-’em-up—a “pretty standard narco/border thriller,” as the narrator describes it—is being filmed. The on-location challenges include barking dogs, blistering heat, and fake, sugary blood that attracts fire ants. But the biggest challenge for Alain Kweon (an actor from Hawaii whose agent has convinced him to go by the professional name Alan Kwan) is a script filled with racial stereotypes, and the director who wrote it. Alain’s character, Mano Silencioso, has but a single line in the film. That line make no sense to Alain and, worse, the director wants him to deliver it in what a fellow cast member calls “the old I-rike-flied-lice accent.” It’s the biggest role of Alain’s career thus far, so he has to make a choice: dignity, or potential success in the industry?
This story knocked my socks off for a number of reasons. For one thing, it transported me onto a film set fraught with problems (I’ve got my own problems, but they don’t involve lying on the ground for hours in full sun while bugs eat through fake blood to get at my skin). For another, Alain’s conflict is palpable—and all the more so because the story is told in his voice. The main reason I fell in love with “Reenactments,” however, is because it’s so masterfully told. Don Lee is a writer who knows how to cut to the heart of difficult subject matter in an extremely honest, realistic, and entertaining way. I was leaning forward in my chair as I neared the end, hungry to find out what was going to happen.
One Story is delighted to be putting “Reenactments” into your hands. If you aren’t yet familiar with Don Lee’s writing, a wonderful discovery awaits you. And if you have a secret dream to become a villain in a shoot-’em-up, you might want to keep that dream to yourself (or, at the very least, make sure you have some say in both the script and the ingredients for the fake blood).
To read an interview with Don Lee about “Reenactments,” please visit our website.