Issue #251: Natalie Serber’s “Children Are Magic”

Our new issue was acquired and edited by our laser-eyed  contributing editor Will Allison. Here he is to make the introduction. — PR

The story in our latest issue, Natalie Serber’s “Children Are Magic,” chronicles a day in the life of Barrett Lee-Cooperman, a stay-at-home mom in a well-to-do California beach town. It’s a busy day. First, Barrett must get her four daughters off to school, including her youngest, River, who ends up going to preschool naked. Barrett must feed her chickens and her pig, Esmeralda, a Mother’s Day gift from her short, slight, pale, balding, OB-GYN husband, Martin. She must ascertain the owner of a racy bra she finds dangling from the pole beans in her garden. She must stop by the dry cleaners, feed store, liquor store, and a board meeting at the Homeless Garden Project. She must mediate Martin’s flirtation with Rowena, their young, blond nanny with toe cleavage. She must have sex with Martin in a position she’s not wild about. She must attend to her own needs. She must pick up River, who insists, in front of her preschool teacher, that Barrett isn’t her “real mommy.” She must welcome another pig—a guinea pig—into the family. She must host a dinner party for her cooking-group friends, some of whom she finds intimidating. At dinner, she must relive the teenage memory of being sexually assaulted by a musician in a nightclub bathroom. Then she must endure the late-night wrath of her oldest daughter, Sheila, while drunk. And those are just some of the highlights. Suffice it to say, “Children Are Magic” is brimming with enough life and love and humor to fill a novel, but it never feels too full, thanks to Serber’s confident storytelling and delectable prose. I was hooked from the opening line to the last. In fact, the first time I finished this story, I immediately turned back to the beginning and dove in again, hungry to spend more time with these characters. I hope you’ll feel the same.

Announcing our 2019 Debutantes

One Story proudly presents our 2019 Debutantes:

Join us as we toast these six One Story authors who have published their first books in the past year and honor Kelly Link, our Distinguished Alum! The One Story Literary Debutante Ball will take place on Thursday, May 16th at Roulette in Brooklyn, NY.  We’ll have live music, dancing, hors d’oeuvres, and specialty cocktails. It is our most important fundraising event of the year.

Tickets for the Ball are on sale now starting at $150. $75 tickets will go on sale 4/1.

To discuss sponsorship opportunities for the One Story Literary Debutante Ball, please contact: maribeth@one-story.com.

Issue #250: Matthew Lansburgh’s “Latvian Angel”

Our new issue was procured by contributing editor Will Allison. Here’s Will to introduce you to “Latvian Angel.” — PR

I’ve always been a sucker for stories in which characters write letters to each other. As a literary device, the epistle is deceptively simple. Letters are a form of first-person narration, allowing characters to bypass a story’s principal narrator and speak for themselves. The catch—the interesting part—is that letter writers tend to be unreliable first-person narrators, misrepresenting themselves in order to influence the letter’s recipient.

The letters in our latest issue, Matthew Lansburgh’s “Latvian Angel,” offer a fun case in point. Klara Ozols is a poor Latvian villager, born with wings on her back, who seeks a better life by advertising herself as a mail-order bride. Ezra Vogel is a lonely Long Island accountant in search of a wife. When Ezra answers Klara’s ad, the two strike up a long-distance correspondence full of cagey spin. Will Klara’s letters convince Ezra that she is the woman of his dreams? Will Ezra’s letters convince Klara that he is the wealthy, handsome, kind suitor he claims to be?

If you’ve read Lansburgh’s terrific debut, Outside Is the Ocean, winner of the Iowa Short Fiction Award, then you know his stories offer up a delicious blend of humor, love, and sexuality, with sympathetic characters often undone by their own wayward desires. “Latvian Angel” is no exception. We’re excited to finally showcase Lansburgh’s first-rate storytelling and sparkling prose in the pages of One Story.

To read an interview with the author, please visit our website.

Save the Date: Our Literary Debutante Ball is on 5/16

Our annual Literary Debutante Ball celebrates One Story authors who are publishing their first books.

This year, we’re also honoring a past One Story author who has gone on to make a significant contribution to literature and the literary community. The 2019 Distinguished Alumni is Kelly Link, who published with One Story in 2005.

Kelly Link is the author of the collections Get in Trouble (a finalist for the 2016 Pulitzer Prize in Fiction), Magic for BeginnersStranger Things Happen, and Pretty Monsters. Her short stories have been published in Tin HouseA Public SpaceMcSweeney’sThe Magazine of Fantasy and Science FictionThe Best American Short Stories, and Prize Stories: The O. Henry Awards. In 2018, she was awarded a MacArthur Fellowship. She was born in Miami, Florida, and currently lives with her husband and daughter in Northampton, Massachusetts.

We’ll be honoring Kelly along with our Literary Debutantes on Thursday, May 16th, 2019 at the One Story Literary Debutante Ball at Roulette in Brooklyn. Tickets will go on sale March 1st.

Photo by Sharona Jacobs Photography LLC

OTS #57: Brayden Mekertichian’s “Burning, in You”

Amazing things happen in Brayden Mekertichian’s “Burning, in You.” In a series of short, powerful sections, we’re swept through seven years in the life of a young woman, from the age of thirteen to the age of twenty. We’re with her when she’s high, we’re with her when she’s low, and we’re with her when she’s lower than low. And yet, somehow, there’s humor in this story. There’s bravado peppered with fear. Confusion salted with insight. It’s a portrait in mosaic of what can occur when a young person’s self-image, sense of self-worth, and tendencies towards self-indulgence collide. The gaps are enormous. The ending is mysterious. The emotional import is colossal. I admire this story as much for what it leaves out as for what it includes, and we’re delighted to honor it as one of the winners of our Teen Writing Contest.

To read an interview with the author, please visit our website.

Issue #249: Chris Vanjonack’s “Phases”

Is it bad form for a ghost to look over your shoulder while you’re typing an email? Do ghosts need therapy? How do ghosts have sex? These are the kinds of questions that rolled around in Chris Vanjonack’s head before he started writing “Phases.” Henry, the story’s narrator, had an unfortunate encounter with a lightning bolt sometime back. Now, his “life” consists of wandering the planet, walking through walls, and watching his ex-girlfriend get over him. And dating—sort of.

Henry is lonely but surrounded by other ghosts. He’s impatient but not even sure what he’s waiting for. And for all his mobility and freedom, he’s overwhelmed by limitations. As the author states in our Q&A, ghostdom, as he imagined it, became “a potent metaphor for depression, or for ennui, or loneliness, or even aging. No one can see me. I can’t make a difference. I don’t feel the way I used to. I can’t feel anything.” But don’t be misled. “Phases” is no downer. In fact, it’s charged with wit and humor, and it’s fueled by a voice packed with charm. There’s a forward lean to the earnestness in Chris Vanjonack’s writing, and it shines through in this story. We’re delighted to welcome him into the One Story family.

Announcing the Winners of our 2019 One Teen Story Teen Writing Contest

We are thrilled to announce the winners and runners-up of our 2019 One Teen Story Teen Writing Contest! We received nearly 300 entries from teen writers across the globe, and narrowing it down was no easy feat. Each winner will receive $500 and publication in a forthcoming issue of One Teen Story.

Ages 13 – 15

Winner: “Press Space to Continue” by Carlie Schwarm

“A door. A looming gateway to perilous adventures. Once going through that door, there was no telling what would happen to him.”

— Carlie Schwarm, “Press Space to Continue”

Runner-up: “Every Breath a Love Song” by Jenny Hu

Ages 16 – 17

Winner: “And the War Stopped” by Emma Caton

“But with his family in his mind and Otto’s fingers against his wrist, he doesn’t think he could ever be happier in this war.”

—Emma Caton, “And the War Stopped”

Winner: “Cicatriz” by Juliet Cushing

“Words landed and stuck, merged into feeling, took off again, formed a chain, landed, and I created a hope that we might be twins of each other’s secrets.”

—Juliet Cushing, “Cicatriz”

Runner-up: “Desensitization” by Helen Qian

Ages 18 – 19

Winner: “Free” by Kara Molnar

“Spencer wished he could do the same: suspend his life while he still danced, free to do what he loved without worrying about the inevitable ending.”

— Kara Molnar, “Free”

Runner-Up: “November” by Maia McGaw

Subscribe to One Story or One Teen Story in print or on your mobile device to read the winners’ stories throughout the year.

Our next Teen Writing Contest will take place in fall 2019.

Congratulations to the winners and runners-up!

Issue #249: Uche Okonkwo’s “Our Belgian Wife”

Contributing Editor Will Allison acquired and edited our latest issue, Uche Okonkwo’s “Our Belgian Wife,” so the pleasure of introducing it goes to him. The floor is yours, Mr. Allison! –PR

The story in our latest issue hit home for me as a parent. My sixteen-year-old daughter and I are currently negotiating the fraught dance that is a child’s transition to independence. My daughter is already very much her own person, but the impulse is still there for me to meddle in her affairs, to try to solve her problems and fix her mistakes.

The Nigerian mothers in Uche Okonkwo’s “Our Belgian Wife” suffer from the same misguided impulse. Marigold, an impoverished widow, only wants what’s best for her daughter, Udoka, and Marigold’s friend Agatha only wants what’s best for her estranged expatriate son, Uzor. So the two mothers conspire to arrange a marriage between their children.

Never mind that Udoka and Uzor are young adults, capable of managing their own affairs. Never mind that they don’t know each other. Never mind that Udoka is busy pursing a college degree. And never mind that she is already engaged to Enyinna, a devoted but poor shopkeeper. As I watched the mothers’ meddling spiral out of control, I was reminded of times I’ve tried to engineer good outcomes for my own daughter when all she wanted was for me to butt out. And I was reminded that things rarely went as I planned. I can only hope that I will have learned my lesson by the time my daughter is Udoka’s age. In the meantime, I invite you to join me in appreciating the humor and heartbreak that Okonkwo’s all-too-human characters wreak upon each other, and in welcoming a strong and distinctive new voice to our pages.

To read an interview with Uche Okonkwo, visit the stories section on our website.

Adina Talve-Goodman 2019 Fellow: Nay Saysourinho

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Together with the Talve-Goodman family, One Story is pleased to announce our 2019 Adina Talve-Goodman Fellow: Nay Saysourinho.

Nay Saysourinho has received fellowships from Kundiman and the San Francisco Writers’ Grotto. She is an alumna of Tin House Summer Workshop. The daughter of Lao refugees who immigrated to Montréal in the late 70’s, she writes about food, memories and post-colonialism. Her writing can be found in the Funambulist Magazine and The Margins. She is currently working on her first novel.

The finalists for the 2019 Adina Talve-Goodman fellowship were:

  • Senaa Ahmad
  • Carrie Moore
  • Alejandro Puyana
  • Shannon Sanders

The Adina Talve-Goodman Fellowship was created in memory of One Story’s former managing editor, the writer Adina Talve-Goodman. This fellowship offers a year-long mentorship on the craft of fiction writing with One Story magazine, and is given to an emerging writer whose work speaks to issues and experiences related to inhabiting bodies of difference. This means writing that explores being in a body marked by difference, oppression, violence, or exclusion; often through categories of race, ethnicity, gender, sexuality, class, religion, illness, disability, trauma, migration, displacement, dispossession, or imprisonment.

One Story is grateful to the Talve-Goodman Family, all of the friends and organizations who helped spread the word about this fellowship, and the many talented writers who took the leap and shared their work with us. Applications for our 2020 Fellow will open in September 2019.

Issue #247: Christopher Santantasio’s “Persistence”

Our new issue was selected and edited by contributing editor Will Allison. Take it away, Will! — PR

The first time I read “Persistence,” by Christopher Santantasio, I was reminded of one of my favorite novels, William Maxwell’s So Long, See You Tomorrow, in which the narrator is guilt-ridden over his failure to help a childhood friend fifty years earlier. As a reader, I have rarely encountered such a profound sense of regret on the page, and as a writer, I continue to be inspired by it.

Maxie, the narrator of “Persistence,” is haunted by a similarly powerful guilt. In 1960, when Maxie was twelve, her mother died, and she moved with her father to a small town in upstate New York. Maxie’s life in Clyde’s Creek was not a happy one. The only bright spots were the piano lessons she received from her teacher and time spent with her sole friend, Honey.

Honey’s life was no picnic either. As Maxie came to learn, Honey suffered severe abuse at the hands of her domineering older brother, Hubert. And as the only person who knew Honey’s secret, Maxie was the only person who could help. However, exposing Honey’s secret threatened to upend Maxie’s life as well. Suffice it to say that the choices Maxie made failed Honey entirely.

Like the narrator of So Long, See You Tomorrow, Maxie understands that her childhood actions were driven not by malice or heartlessness so much as by fear, confusion, and a child’s limited understanding of the world. Even so, Maxie struggles to come to terms with her behavior. In reading about this struggle, I found myself haunted by some of my own childhood mistakes, and I bet you will too. I also hope you’ll agree that Santantasio, despite being new on the literary scene, captures Maxie’s guilt with a sensitivity and depth that would make William Maxwell proud.

To read an interview with the author, visit the “Persistence” page on our website.